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Seasonal new play by London's most prolific and evocative playwright People don't mourn out of love, they mourn out of fear and the fear makes them stop. Michael, Billy and Giuseppe are biding their time before Christmas away from their loved ones. When Charlie comes in with his cello, and a fear of stepping outside the door because he's been told today is the day that he'll die, they know that this'll be a long night. Set over the course of one night in a bar in East London, Simon Stephens' play is a slow-burning, evocative play about selling up, growing old and moving on.A major new voice in British theatre Scotsman…mehr
Seasonal new play by London's most prolific and evocative playwright
People don't mourn out of love, they mourn out of fear and the fear makes them stop.
Michael, Billy and Giuseppe are biding their time before Christmas away from their loved ones. When Charlie comes in with his cello, and a fear of stepping outside the door because he's been told today is the day that he'll die, they know that this'll be a long night.
Set over the course of one night in a bar in East London, Simon Stephens' play is a slow-burning, evocative play about selling up, growing old and moving on.A major new voice in British theatre Scotsman
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Autorenporträt
Simon Stephens began his theatrical career in the literary department of the Royal Court Theatre, where he ran its Young Writers' Programme. His plays for theatre include Bluebird (Royal Court Theatre) Herons (Royal Court Theatre, 2001); Port (Royal Exchange Theatre, Manchester, 2002); One Minute (Crucible Theatre, Sheffield, 2003 and Bush Theatre, London, 2004); Christmas (Bush Theatre, 2004); Country Music (Royal Court Theatre Upstairs, 2004); On the Shore of the Wide World (Royal Exchange Theatre and National Theatre, London, 2005); Motortown (Royal Court Theatre Downstairs, 2006); Pornography (Tricycle Theatre, London, 2009); Harper Regan (National Theatre, 2008); Sea Wall (Bush Theatre, 2009); Heaven (Traverse Theatre, 2009); Punk Rock (Lyric Hammersmith, London, 2009); The Trial of Ubu (Essen Schauspielhaus/Toneelgroep Amsterdam, 2010); A Thousand Stars Explode in the Sky (co-written with David Eldridge and Robert Holman; Lyric Hammersmith, London, 2010); Wastwater (Royal Court Theatre Downstairs, 2011); Morning (Lyric Hammersmith, 2012); an adaptation of A Doll's House (Young Vic, 2012); an adaptation of The Curious Incident of the Dog in the Night-Time (National Theatre, 2012); Blindsided (Royal Exchange, 2014); and Birdland (Royal Court, 2014). His radio plays include Five Letters Home to Elizabeth (BBC Radio 4, 2001) and Digging (BBC Radio 4, 2003). Awards include the Pearson Award for Best New Play, 2001, for Port; Olivier Award for Best New Play for On the Shore of the Wide World, 2005; and for Motortown German critics in Theater Heute's annual poll voted him Best Foreign Playwright, 2007. His adaptation of Curious Incident of the Dog in the Night-Time won the 2015 Tony Award for Best Play.
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