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Christos Tsiolkas is one of the most recognizable and internationally successful literary novelists working in Australia today. He is also one of the country's most politically engaged writers. These terms - recognition, commercial success, political engagement - suggest a relationship to forms of public discourse that belies the extremely confronting nature of much of Tsiolkas's fiction and his deliberate attempt to cultivate a literary persona oriented to notions of blasphemy, obscenity and what could broadly be called a pornographic sensibility.
Christos Tsiolkas is one of the most recognizable and internationally successful literary novelists working in Australia today. He is also one of the country's most politically engaged writers. These terms - recognition, commercial success, political engagement - suggest a relationship to forms of public discourse that belies the extremely confronting nature of much of Tsiolkas's fiction and his deliberate attempt to cultivate a literary persona oriented to notions of blasphemy, obscenity and what could broadly be called a pornographic sensibility.
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Andrew McCann is a professor in the Department of English at Dartmouth College, New Hampshire.
Inhaltsangabe
Preface Introduction: Pasolini's Ashes 1. The Down-Curve of Capital: 'Loaded' 2. Inside the Machine: From 'Loaded' to 'The Jesus Man' 3. The Pornographic Logic of Global Capitalism: 'Dead Europe' 4. In the Suburbs of World Literature: From 'Dead Europe' to 'The Slap' 5. The Politics of the Bestseller: 'The Slap' and 'Barracuda' Conclusion: Aesthetic Autonomy and the Politics of Fiction Notes Bibliography Index
Preface Introduction: Pasolini's Ashes 1. The Down-Curve of Capital: 'Loaded' 2. Inside the Machine: From 'Loaded' to 'The Jesus Man' 3. The Pornographic Logic of Global Capitalism: 'Dead Europe' 4. In the Suburbs of World Literature: From 'Dead Europe' to 'The Slap' 5. The Politics of the Bestseller: 'The Slap' and 'Barracuda' Conclusion: Aesthetic Autonomy and the Politics of Fiction Notes Bibliography Index
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