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Christus Troia Nova and Babylon the Great: How Daniel, Aristotle, Virgil, Seneca, and the Didache Prophesized the USA and the Return of Christ understands Greco-Roman epic and tragedy as a part of Judeo-Christian scripture-that together they make up a more complete whole. Building upon his earlier article, "Are Dionysos and Oedipus Name Variations for Satan and Antichrist?," originally published in The Journal of Greco-Roman Christianity and Judaism, the book reflects new insights about the place of the USA in end-time prophecy.
Thus, following Joachim of Fiore, the approach in this book
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Produktbeschreibung
Christus Troia Nova and Babylon the Great: How Daniel, Aristotle, Virgil, Seneca, and the Didache Prophesized the USA and the Return of Christ understands Greco-Roman epic and tragedy as a part of Judeo-Christian scripture-that together they make up a more complete whole. Building upon his earlier article, "Are Dionysos and Oedipus Name Variations for Satan and Antichrist?," originally published in The Journal of Greco-Roman Christianity and Judaism, the book reflects new insights about the place of the USA in end-time prophecy.

Thus, following Joachim of Fiore, the approach in this book has been to understand history as exegesis. The difference is Joachim thought as Bernard McGinn notes in Antichrist: Two Thousand Years of the Human Fascination with Evil, 'God's judgment over history is grasped only through the interpretation of the Bible' whereas I believe Greco-Roman tragedy and epic, in conjunction with the Bible and the Didache's three signs signifying the final Theophany of Christ, provides a more complete picture. The approach here, therefore, incorporates the following assessment:

(1) Dionysos/Satan/Osiris are the same deity.

(2) Canaanites/Phoenicians/Ham/Hercules/Cadmus/Oedipus/Alexander the Great/Nero/Macbeth are all related by blood.

(3) USA is a reconstituted Roman Empire. It is or can be Dante's 'that Rome of which Christ was Roman' or Babylon the Great of Revelation.


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Autorenporträt
He explored the intersection between tragedy and epic with Christianity in, "Are Dionysos and Oedipus Name Variations for Satan and Antichrist?." It was while teaching at Bilkent University, that he began systematic research on theatre ruins in Turkey and Israel. Sepphoris is where the two threads came together.