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In her writings and interviews, as well as in her filmscripts, Trinh T. Minh-ha explores what she describes as the "infinite relation" of word to image. Cinema-Interval brings together her recent conversations on film and art, life and theory, with Homi Bhabha, Deb Verhoeven, Annamaria Morelli and other critics. Together these interviews offer the richest presentation of this extraordinary artist's ideas. Extensively illustrated in color and black and white, Cinema-Interval covers a wide range of issues, many of them concerning "the space between"--between viewer and film, image and text,…mehr

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Produktbeschreibung
In her writings and interviews, as well as in her filmscripts, Trinh T. Minh-ha explores what she describes as the "infinite relation" of word to image. Cinema-Interval brings together her recent conversations on film and art, life and theory, with Homi Bhabha, Deb Verhoeven, Annamaria Morelli and other critics. Together these interviews offer the richest presentation of this extraordinary artist's ideas. Extensively illustrated in color and black and white, Cinema-Interval covers a wide range of issues, many of them concerning "the space between"--between viewer and film, image and text, interviewer and interviewee, lover and beloved. As an added bonus, the complete scripts of Trinh's films Surname Viet Given Name Nam and A Tale of Love are also included in the volume.


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Autorenporträt
Trinh T. Minh-ha, an award-winning filmmaker, is Professor of Women's Studies, Film Studies, and Rhetoric at the University of California, Berkeley. She is the author of When the Moon Waxes Red and Framer Framed, both published by Routledge.