Cinema-monde (eBook, PDF)

Decentred Perspectives on Global Filmmaking in French
Redaktion: Gott, Michael; Schilt, Thibaut

• Format: PDF

Produktbeschreibung

The first book devoted to a wide-ranging study of developments in global French-language cinema, from Quebec to Mauritania and from Belgium to Cambodia, Cinema-monde picks up on the lively scholarly debates generated by the related topic of litterature-monde. Extending the scope of this debate to cover the thriving and diverse area of international French-language cinema, this innovative book also considers cinema from France within the context of global production. With contributions from an international range of specialists, and with considerations of works by contemporary directors like Rachid Bouchareb, Abderrahmane Sissako and Rithy Panh, Cinema-monde explores the porous borders around francophone spaces and the ways in which languages and identities 'travel' in contemporary cinema.

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Produktdetails

• Verlag: Edinburgh University Press
• Erscheinungstermin: 23. Januar 2018
• Englisch
• ISBN-13: 9781474414999
• Artikelnr.: 72431272

Autorenporträt

Michael Gott is Associate Professor of French and Film and Media Studies at the University of Cincinnati, where he teaches courses in European Studies, Film and Media Studies, and French-language culture and cinema. He is the author of French-language Road Cinema: Borders, Diasporas and 'New Europe' (EUP, 2016) and co-edited Cinéma-monde: Decentred Perspectives on Global Filmmaking in French (EUP, 2018), Open Roads, Closed Borders: the Contemporary French-Language Road Movie (Intellect, 2013) and East, West and Centre: Reframing European Cinema Since 1989 (EUP, 2014). Thibaut Schilt is Associate Professor of French at the College of the Holy Cross in Massachusetts, where he teaches courses in francophone and European cinema, gender studies, and French language and culture. He is the author of the monograph François Ozon (University of Illinois Press, 2011). In 2013, he co-edited with Michael Gott the volume Open Roads, Closed Borders: the Contemporary French-Language Road Movie, published with Intellect Press. He has published several articles on French-language road movies and queer cinema.

Inhaltsangabe

Introduction: The Kaleidoscope of Cinéma-monde; Section I: From Local to
Global: The Cinéma(s)-monde(s) of Auteurs and Actors; Chapter 1: 'Site 2:
Style and Encounter in Rithy Panh's cinéma-monde', Joseph Mai; Chapter 2:
'Globalization, Cinema and Terrorism in Rachid Bouchareb's Films: London
River, Baton Rouge and Little Senegal', Mireille Rosello; Chapter 3:
'Guerrilla Filmmaking with Rachid Djaïdani', Laura Reeck; Chapter 4:
'Globalization, Cinéma-monde, and the Work of Abderrahmane Sissako', Dayna
Oscherwitz; Chapter 5: 'The Career of Actress Hafsia Herzi: Crossing
Borders, Challenging Barriers', Leslie Kealhofer-Kemp; Section II: Voyages,
Limits and Borders; Chapter 6: 'Lost at Sea or Charting a New Course?
Mapping the Murky Contours of Cinéma-monde in Floating Francophone Films',
Michael Gott; Chapter 7: 'The Beautiful Fantasy: Imaginary Representations
of Football in West-African Cinema', Vlad Dima; Chapter 8: Merry Christmas
in No Man's Land: European Borders, Language Barriers and Front Lines in
Christian Carion's Joyeux Noël, Gemma King; Chapter 9: 'An Ostrich, a
Backhoe and a Few Ski-doos: Tracking the Road Movie in Quebec and Beyond',
Thibaut Schilt; Chapter 10: 'Accented Mappings of France in a Globalized
World: Le Havre (2011) and Samba (2014) Through the Lens of Cinéma-monde',
Leïla Ennaïli; Section III: Hubs and Spheres of Production; Chapter 11:
'Activist Cinéma-monde in Paris: Filming Foreigners in the French Capital',
- Alison Rice; Chapter 12: 'Cinema Made in Liège: A 'Hub' of Francophone
Belgian Filmmaking', Jaime Steele; Chapter 13: '"Images of Diversity": Film
Policy and the "State Struggle" for the Representation of Difference',
Michelle Stewart; Chapter 14: 'Youth and Média-Engagé: Is This West
Africa's Heterolinguistic Cinéma-monde?', Carina Yervasi; Epilogues;
'Worlds Within; In the World', Bill Marshall; 'Cinéma-monde as a Call to
Arms', Lucy Mazdon; 'Cinéma-monde and the Transnational', Lucy Mazdon