Cinematic Intermediality (eBook, PDF)

Theory and Practice
Redaktion: Knowles, Kim; Schmid, Marion

• Format: PDF

Produktbeschreibung

This edited collection proposes new directions for understanding cinematic intermediality, mapping out innovative approaches to film's relationship with some of its most influential artistic predecessors in the fields of performance, sculpture, painting, photography and dance. With essays by leading researchers and practitioners, this book investigates cinema's productive synergies and crossovers with the other arts through a broad range of avant-garde and experimental work. Mapping a trajectory from pre-cinema to the digital era, the book considers the impact of technological materiality on intermedial expression, incorporating both mainstream and experimental practice, world cinema and peripheral cinemas. Bridging the gap between theory and practice, it opens up new pathways for thinking about how intermediality, as both a creative method and an interpretative paradigm, might be explored alongside probing questions of what cinema is, has been and can be.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Edinburgh University Press
• Erscheinungstermin: 17. Februar 2021
• Englisch
• ISBN-13: 9781474446365
• Artikelnr.: 72419434

Autorenporträt

Kim Knowles is Lecturer in Alternative and Experimental Film at Aberystwyth University and Experimental Film Programmer at the Edinburgh International Film Festival. She is the author of Experimental Film and Photochemical Practices (2020) and A Cinematic Artist: The Films of Man Ray (2009/12). Marion Schmid is Professor of French Literature and Film at the University of Edinburgh. Her publications on film include Intermedial Dialogues: The French New Wave and the Other Arts (2019), Chantal Akerman (2010), and Proust at the Movies (2005, with Martine Beugnet).

Inhaltsangabe

List of Illustrations Acknowledgements Contributors Introduction - Kim Knowles and Marion Schmid PART 1: MAPPING THE INTERZONE 1. Stephen Barber
'Film and Performance: Intermedial Intersections' 2. Steven Jacobs
'Carving Cameras: Antonioni's Lo Sguardo di Michelangelo (2004)' 3. Ágnes Petho
'The Photo-Filmic and the Post-Human: Picturesque Landscapes at the Peripheries of Global Cinema' 4. Martine Beugnet
'Dream Screen: On Cinema and Painting
Blur and Absorption' PART 2: THE INTERMEDIAL AVANT-GARDES 5. Christopher Townsend
'From the Periphery to the Interstices: Avant-Garde Film
Medium Specificity and Intermediality
1970-2015' 6. Lucy Reynolds
The 'Artist as Filmmaker': Modernisms
Schisms
Misunderstandings' 7. Barnaby Dicker
'The Artwork/Statement as Intermedial Nexus: Paul Sharits's N:O:T:H:I:N:G' PART 3: TECHNOLOGY
APPARATUS
AFFECT 8. Boris Wiseman
'Intermediality and the Origins of Cinema' 9. Gabriele Jutz
'Cinematography's Blind Spots: Artistic Exploitations of the Film Frame' 10. Marion Schmid
'Filming and Feeling between the Arts: Pascale Breton
Suite Armoricaine and Eugène Green
Le Fils de Joseph' PART 4: INTERMEDIAL CREATION 11. Adam Roberts
'What Does a Dance Filmmaker See?' 12. Isabel Rocamora
'Performance
Moving Image
Installation: the Making of Body of War and Faith' 13. Anna Vasof
'Muybridge's Disobedient Horses: Non-Stop Stop-Motion' 14. Sarah Pucill
'A Dialogue With Claude Cahun: Between Writing
Photography and Film in Magic Mirror and Confessions to the Mirror' Index