Janne Lahti, Rebecca Weaver-Hightower

Cinematic Settlers (eBook, PDF)

The Settler Colonial World in Film

• Format: PDF

Produktbeschreibung

This anthology adds to the burgeoning field of settler colonial studies by examining settler colonial narratives in the under analyzed medium of film.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis eBooks
• Seitenzahl: 236
• Erscheinungstermin: 26. Juli 2020
• Englisch
• ISBN-13: 9781000094237
• Artikelnr.: 59783571

Autorenporträt

Dr Janne Lahti is an Academy of Finland Research Fellow in History at the University of Helsinki, Finland. He specializes in global and transnational histories of settler colonialism, borderlands, American West, and Nordic colonialism. His books include German and United States Colonialism in a Connected World: Entangled Empires (2020), The American West and the World: Transnational and Comparative Perspectives (2019), and Wars for Empire: Apaches, the United States, and the Southwest Borderlands (2017).

Professor Rebecca Weaver-Hightower is Chair of English at North Dakota State University. Her publications include Frontier Fictions: Settler Sagas and Postcolonial Guilt (2018), Empire Islands: Castaways, Cannibals, and Fantasies of Conquest, (2007), Postcolonial Film: History, Empire, Resistance (2014, co-edited with Peter Hulme), and another collection on settler literatures Archiving Settler Colonialism: Culture, Space, and Race, (2018, co-edited with Yuting Huang).

Inhaltsangabe

Introduction: Reel Settler Colonialism: Gazing, Reception, and Production
of Global Settler Cinemas Part I: Conquest 1. The South Pacific as the
Final Frontier: Hollywood's South Seas Fantasies, the Beachcomber, and
Militarization 2. Environments of Settler Colonialism in Statehood-Era U.S.
Cinematic Depictions of the Hawaiian Islands 3. Settler-Aboriginal Alliance
and the Threat of Foreign Invasion in Baz Luhrmann's Australia 4. Settler
Bolsheviks in the Soviet 'Eastern' Part II: Settlers 5. Gunless as Settler
Colonial Borderlands Fantasy 6. The Unbearable Settler West in The Ballad
of Buster Scruggs 7. Unser Haus in Kamerun: The Restauration of Settler
Colonial Memory in German Post-World War II Cinema 8. Negotiating Between
Homelands: Settler Colonial Situation and Settler Ambivalence in Taiwan
Cinema Part III: Natives 9. Hero or Dupe: Jay Swan and the Ambivalences of
Aboriginal Masculinity in the Films of Ivan Sen 10. In the Land of the Head
Hunters: Kwakwaka'wakw Archives and the Settler Colonial Lens 11.
Disrupting Settler Innocence in Latin American Films 12. The "Knack":
Post-settlement Cinema in Aotearoa New Zealand Part IV: Space 13.
Landscapes, Wildlife, and Grey Owl: Settler Colonial Imaginaries and
Tourist Spaces in William J. Oliver's Parks Branch Films, 1920s-1930s
14. From Colonial Casbah to Casbah-banlieue: Settlement and Space in Pépé
le Moko (1937) and La Haine (1996) 15. Between Sherwood Forest and the Red
Sea: Settler Colonial South Africa in early Hollywood 16. Settler Evasions
in Interstellar and Cowboys and Aliens: Thinking the End of the World is
Still Easier than Thinking the End of Settler Colonialism

---

Introduction: Reel Settler Colonialism: Gazing, Reception, and Production of Global Settler Cinemas Part I: Conquest 1. The South Pacific as the Final Frontier: Hollywood's South Seas Fantasies, the Beachcomber, and Militarization 2. Environments of Settler Colonialism in Statehood-Era U.S. Cinematic Depictions of the Hawaiian Islands 3. Settler-Aboriginal Alliance and the Threat of Foreign Invasion in Baz Luhrmann's Australia 4. Settler Bolsheviks in the Soviet 'Eastern' Part II: Settlers 5. Gunless as Settler Colonial Borderlands Fantasy 6. The Unbearable Settler West in The Ballad of Buster Scruggs 7. Unser Haus in Kamerun: The Restauration of Settler Colonial Memory in German Post-World War II Cinema 8. Negotiating Between Homelands: Settler Colonial Situation and Settler Ambivalence in Taiwan Cinema Part III: Natives 9. Hero or Dupe: Jay Swan and the Ambivalences of Aboriginal Masculinity in the Films of Ivan Sen 10. In the Land of the Head Hunters: Kwakwaka'wakw Archives and the Settler Colonial Lens 11. Disrupting Settler Innocence in Latin American Films 12. The "Knack": Post-settlement Cinema in Aotearoa New Zealand Part IV: Space 13. Landscapes, Wildlife, and Grey Owl: Settler Colonial Imaginaries and Tourist Spaces in William J. Oliver's Parks Branch Films, 1920s-1930s 14. From Colonial Casbah to Casbah-banlieue: Settlement and Space in Pépé le Moko (1937) and La Haine (1996) 15. Between Sherwood Forest and the Red Sea: Settler Colonial South Africa in early Hollywood 16. Settler Evasions in Interstellar and Cowboys and Aliens: Thinking the End of the World is Still Easier than Thinking the End of Settler Colonialism

Rezensionen

". . . The collection produces an understanding of settler colonialism, and the film cultures it has produced . . . [with] remarkable depth and breadth that throws into fresh relief the politics - of place, of representation, of identity - that structure settler societies." - Corinn Columpar, University of Toronto, Canada





"Cinematic Settlers . . . is an essential text that spans multiple genres and historical periods to address urgent questions about the state of cinema and its role in cultivating a path beyond settlement." - Jerod Ra'Del Hollyfield, Carson-Newman University, USA





"Settler colonialism is at the very core of modern global history. This wide-ranging collection reveals its huge impact on transnational film and popular culture." - Angela Woollacott, The Australian National University, Australia

"This collection . . . tackles difficult questions of how contemporary filmmakers grapple with Indigenous critiques and post-settlement politics in diverse ways . . . When representing diversity in film is such a pressing issue, this timely collection explores the deep histories and ambivalences of settler cinema." - Shino Konishi, University of Western Australia, Australia