James Wallert
Citizen Artists (eBook, ePUB)
A Guide to Helping Young People Make Plays That Change the World
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James Wallert
Citizen Artists (eBook, ePUB)
A Guide to Helping Young People Make Plays That Change the World
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Citizen Artists takes the reader on a journey through the process of producing, funding, researching, creating, rehearsing, directing, performing, and touring student-driven plays about social justice.
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Citizen Artists takes the reader on a journey through the process of producing, funding, researching, creating, rehearsing, directing, performing, and touring student-driven plays about social justice.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 234
- Erscheinungstermin: 7. November 2021
- Englisch
- ISBN-13: 9781000465525
- Artikelnr.: 62587496
- Verlag: Taylor & Francis
- Seitenzahl: 234
- Erscheinungstermin: 7. November 2021
- Englisch
- ISBN-13: 9781000465525
- Artikelnr.: 62587496
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
James Wallert is a Founder and Co-Artistic Director of New York City's Epic Theatre Ensemble. He is an actor, playwright, director, producer, and educator. To learn more about James and Epic visit www.EpicTheatreEnsemble.org.
INTRODUCTION
PART ONE: THE CITIZEN ARTIST METHODOLOGY
Chapter 1: How do we transform art into activism?
Chapter 2: What is a Citizen Artist?
Chapter 3: What is Epic Theatre?
Chapter 4: How do we work with Commissioning Partners?
Chapter 5: How do we create a safe and Culturally Responsive space?
Chapter 6: How do we get started?
Chapter 7: How do we create an essential question?
Chapter 8: How do we conduct interviews?
Chapter 9: What are enabling constraints?
Chapter 10: How do we populate the world of the play?
Chapter 11: How do we come to consensus?
Chapter 12: How do we write scenes?
Chapter 13: How do we organize our material into a first draft?
Chapter 14: How do we revise scenes?
Chapter 15: How do we rehearse our play?
Chapter 16: How do we perform our play?
Chapter 17: How do we lead a meaningful post-show discussion?
Chapter 18: How do we pay for all of this?
PART TWO: THE CITIZEN ARTIST CURRICULUM
Chapter 19: Newspaper Theatre
Chapter 20: Objectives and Tactics
Chapter 21: Fundamentals of Dramatic Structure
Chapter 22: Ethical Dilemma
Chapter 23: Subtext
Chapter 24: Environment, Relationship, Conflict, Resolution (ERCR)
Chapter 25: Caucus
PART THREE: THE CITIZEN ARTIST PLAYS
Chapter 26: Default
Chapter 27: Perfect Circle
Chapter 28: Overdrive
Chapter 29: Nothing About Us
CONCLUSION
PART ONE: THE CITIZEN ARTIST METHODOLOGY
Chapter 1: How do we transform art into activism?
Chapter 2: What is a Citizen Artist?
Chapter 3: What is Epic Theatre?
Chapter 4: How do we work with Commissioning Partners?
Chapter 5: How do we create a safe and Culturally Responsive space?
Chapter 6: How do we get started?
Chapter 7: How do we create an essential question?
Chapter 8: How do we conduct interviews?
Chapter 9: What are enabling constraints?
Chapter 10: How do we populate the world of the play?
Chapter 11: How do we come to consensus?
Chapter 12: How do we write scenes?
Chapter 13: How do we organize our material into a first draft?
Chapter 14: How do we revise scenes?
Chapter 15: How do we rehearse our play?
Chapter 16: How do we perform our play?
Chapter 17: How do we lead a meaningful post-show discussion?
Chapter 18: How do we pay for all of this?
PART TWO: THE CITIZEN ARTIST CURRICULUM
Chapter 19: Newspaper Theatre
Chapter 20: Objectives and Tactics
Chapter 21: Fundamentals of Dramatic Structure
Chapter 22: Ethical Dilemma
Chapter 23: Subtext
Chapter 24: Environment, Relationship, Conflict, Resolution (ERCR)
Chapter 25: Caucus
PART THREE: THE CITIZEN ARTIST PLAYS
Chapter 26: Default
Chapter 27: Perfect Circle
Chapter 28: Overdrive
Chapter 29: Nothing About Us
CONCLUSION
INTRODUCTION
PART ONE: THE CITIZEN ARTIST METHODOLOGY
Chapter 1: How do we transform art into activism?
Chapter 2: What is a Citizen Artist?
Chapter 3: What is Epic Theatre?
Chapter 4: How do we work with Commissioning Partners?
Chapter 5: How do we create a safe and Culturally Responsive space?
Chapter 6: How do we get started?
Chapter 7: How do we create an essential question?
Chapter 8: How do we conduct interviews?
Chapter 9: What are enabling constraints?
Chapter 10: How do we populate the world of the play?
Chapter 11: How do we come to consensus?
Chapter 12: How do we write scenes?
Chapter 13: How do we organize our material into a first draft?
Chapter 14: How do we revise scenes?
Chapter 15: How do we rehearse our play?
Chapter 16: How do we perform our play?
Chapter 17: How do we lead a meaningful post-show discussion?
Chapter 18: How do we pay for all of this?
PART TWO: THE CITIZEN ARTIST CURRICULUM
Chapter 19: Newspaper Theatre
Chapter 20: Objectives and Tactics
Chapter 21: Fundamentals of Dramatic Structure
Chapter 22: Ethical Dilemma
Chapter 23: Subtext
Chapter 24: Environment, Relationship, Conflict, Resolution (ERCR)
Chapter 25: Caucus
PART THREE: THE CITIZEN ARTIST PLAYS
Chapter 26: Default
Chapter 27: Perfect Circle
Chapter 28: Overdrive
Chapter 29: Nothing About Us
CONCLUSION
PART ONE: THE CITIZEN ARTIST METHODOLOGY
Chapter 1: How do we transform art into activism?
Chapter 2: What is a Citizen Artist?
Chapter 3: What is Epic Theatre?
Chapter 4: How do we work with Commissioning Partners?
Chapter 5: How do we create a safe and Culturally Responsive space?
Chapter 6: How do we get started?
Chapter 7: How do we create an essential question?
Chapter 8: How do we conduct interviews?
Chapter 9: What are enabling constraints?
Chapter 10: How do we populate the world of the play?
Chapter 11: How do we come to consensus?
Chapter 12: How do we write scenes?
Chapter 13: How do we organize our material into a first draft?
Chapter 14: How do we revise scenes?
Chapter 15: How do we rehearse our play?
Chapter 16: How do we perform our play?
Chapter 17: How do we lead a meaningful post-show discussion?
Chapter 18: How do we pay for all of this?
PART TWO: THE CITIZEN ARTIST CURRICULUM
Chapter 19: Newspaper Theatre
Chapter 20: Objectives and Tactics
Chapter 21: Fundamentals of Dramatic Structure
Chapter 22: Ethical Dilemma
Chapter 23: Subtext
Chapter 24: Environment, Relationship, Conflict, Resolution (ERCR)
Chapter 25: Caucus
PART THREE: THE CITIZEN ARTIST PLAYS
Chapter 26: Default
Chapter 27: Perfect Circle
Chapter 28: Overdrive
Chapter 29: Nothing About Us
CONCLUSION