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  • Format: ePub

In "Clarimonde," Thv©ophile Gautier crafts a mesmerizing tale that entwines elements of romanticism and gothic horror, illuminating the paradoxical relationship between love and death. Set against the backdrop of 19th-century France, the novella follows the poignant story of a young priest, Serge, who falls under the spell of the enchanting and ethereal Clarimonde, a vampire who embodies both sensuality and the supernatural. Gautier's rich, evocative prose converges with themes of desire and duality, exploring how passion can lead to one's ruin while simultaneously offering a glimpse into the…mehr

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Produktbeschreibung
In "Clarimonde," Thv©ophile Gautier crafts a mesmerizing tale that entwines elements of romanticism and gothic horror, illuminating the paradoxical relationship between love and death. Set against the backdrop of 19th-century France, the novella follows the poignant story of a young priest, Serge, who falls under the spell of the enchanting and ethereal Clarimonde, a vampire who embodies both sensuality and the supernatural. Gautier's rich, evocative prose converges with themes of desire and duality, exploring how passion can lead to one's ruin while simultaneously offering a glimpse into the transcendent. The narrative elegantly evokes a dreamlike ambiance, reflecting the height of literary sensibility during the Symbolist movement. Thv©ophile Gautier (1811-1872) was heralded as a central figure in French literature, renowned for his contributions to romantic and aesthetic movements. His early exposure to the bohemian lifestyle of Paris and the influence of contemporaneous poets inspired him to delve into the realms of fantasy, desire, and the ethereal. This exploration of the mysterious and the macabre profoundly shaped "Clarimonde," allowing Gautier to channel personal themes of obsession and the complexities of love. "Clarimonde" is a captivating work that enchants readers with its lush imagery and profound narrative depth. Ideal for those who appreciate the intricacies of human emotion entwined with the supernatural, this novella is a must-read for admirers of gothic literature and those seeking to uncover the alluring darkness that lurks within love's embrace.

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Autorenporträt
Pierre Jules Théophile Gautier (/go¿'tje¿/;[1] French: [pj¿¿ ¿yl teofil gotje]; 30 August 1811 - 23 October 1872) was a French poet, dramatist, novelist, journalist, and art and literary critic. While an ardent defender of Romanticism, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as Parnassianism, Symbolism, Decadence and Modernism. He was widely esteemed by writers as disparate as Balzac, Baudelaire, the Goncourt brothers, Flaubert, Pound, Eliot, James, Proust and Wilde. Gautier was born on 30 August 1811 in Tarbes (France), capital of Hautes-Pyrénées département (southwestern France). His father was Jean-Pierre Gautier,[2] a fairly cultured minor government official, and his mother was Antoinette-Adelaïde Cocard.[2] The family moved to Paris in 1814, taking up residence in the ancient Marais district. Gautier's education commenced at the prestigious Collège Louis-le-Grand in Paris (fellow alumni include Voltaire, Charles Baudelaire, Victor Hugo, and the Marquis de Sade), which he attended for three months before being brought home due to illness. Although he completed the remainder of his education at Collège Charlemagne (alumni include Charles Augustin Sainte-Beuve), Gautier's most significant instruction came from his father, who prompted him to become a Latin scholar by age eighteen. While at school, Gautier befriended Gérard de Nerval and the two became lifelong friends. It is through Nerval that Gautier was introduced to Victor Hugo, by then already a well-known, established leading dramatist and author of Hernani. Hugo became a major influence on Gautier and is credited for giving him, an aspiring painter at the time, an appetite for literature. It was at the legendary premiere of Hernani that Gautier is remembered for wearing his anachronistic red doublet. In the aftermath of the 1830 Revolution, Gautier's family experienced hardship and was forced to move to the outskirts of Paris. Deciding to experiment with his own independence and freedom, Gautier chose to stay with friends in the Doyenné district of Paris, living a rather pleasant bohemian life. Towards the end of 1830, Gautier began to frequent meetings of Le Petit Cénacle (The Little Upper Room), a group of artists who met in the studio of Jehan Du Seigneur. The group was a more irresponsible version of Hugo's Cénacle. The group counted among its members the artists Gérard de Nerval, Alexandre Dumas, père, Petrus Borel, Alphonse Brot, Joseph Bouchardy and Philothée O'Neddy (real name Théophile Dondey). Le Petit Cénacle soon gained a reputation for extravagance and eccentricity, but also for being a unique refuge from society.