The critic, in the end, is a writer in the strictest sense of the word, and criticism, in the end, is literature in the truest sense of the word as well, and perhaps the critic is afforded advantages that are not available to the creator of literature. The critic is a mirror to his readers, like the writer, and the readers are a mirror to the critic, just as they are a mirror to the writer as well, but the critic is a clear, clear mirror, as pure as the best possible thing. Clarity and clarity, and this mirror reflects the image of the writer himself, as it reflects the image of the reader, and as it reflects the image of the critic. The page of criticism created by this name is a collection of images of these three psyches: the psychology of the influential creator, the psychology of the affected reader, and the psychology of the critic who judges between them fairly and weighs their affairs fairly. Taha Hussien
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