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'Well-researched ... I was fascinated' Roger Lewis, Daily Mail
From its debut in 1962, Edward Albee's Who's Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalised critics but magnetised audiences.
Then, Hollywood took a colossal gamble on Albee's sophisticated play and won. Co-starring Elizabeth Taylor and Richard Burton, the sensational 1966 film won five Oscars. How this scorching
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Produktbeschreibung
'Well-researched ... I was fascinated' Roger Lewis, Daily Mail

From its debut in 1962, Edward Albee's Who's Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalised critics but magnetised audiences.
Then, Hollywood took a colossal gamble on Albee's sophisticated play and won. Co-starring Elizabeth Taylor and Richard Burton, the sensational 1966 film won five Oscars. How this scorching play became a movie classic-surviving censorship attempts, its creators' inexperience, and its stars' own tumultuous marriage, is one of the most riveting stories in all of cinema.
Acclaimed author Philip Gefter traces Woolf from its hushed origins in Greenwich Village, through its tormented production process, to its explosion onto screens and permanent place in the canon of cinematic marriages. He explores how two couples - one fictional, one all too real - brought to light our most deeply held myths about relationships, sex, family, and, against all odds, love.

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Autorenporträt
Philip Gefter is the author of What Becomes a Legend Most: The Biography of Richard Avedon; Wagstaff: Before and After Mapplethorpe, which received the 2014 Marfield Prize for arts writing; and an essay collection, Photography After Frank. He is a regular contributor to the New Yorker's Photobooth, Aperture, and the New York Times, where he was an editor and photography critic for over fifteen years. Gefter produced the award-winning documentary, Bill Cunningham: New York. He lives in New York City.
Rezensionen
Delicious . . . unapologetically obsessive . . . [Gefter gets] to the marrow: of male ego, rushing into new projects with hubris and jostling for posterity.