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In Gibbons's classic tale, a resourceful young heroine finds herself in the gloomy, overwrought world of a Hardy or Bronte novel and proceeds to organize everyone out of their romantic tragedies into the pleasures of normal life. Flora Poste, orphaned at 19, chooses to live with relatives at Cold Comfort Farm in Sussex, where cows are named Feckless, Aimless, Pointless, and Graceless, and the proprietors, the dour Starkadder family, are tyrannized by Flora's mysterious aunt, who controls the household from a locked room. Flora's confident and clever management of an alarming cast of eccentrics…mehr
In Gibbons's classic tale, a resourceful young heroine finds herself in the gloomy, overwrought world of a Hardy or Bronte novel and proceeds to organize everyone out of their romantic tragedies into the pleasures of normal life. Flora Poste, orphaned at 19, chooses to live with relatives at Cold Comfort Farm in Sussex, where cows are named Feckless, Aimless, Pointless, and Graceless, and the proprietors, the dour Starkadder family, are tyrannized by Flora's mysterious aunt, who controls the household from a locked room. Flora's confident and clever management of an alarming cast of eccentrics is only half the pleasure of this novel. The other half is Gibbons's wicked sendup of romantic cliches, from the mad woman in the attic to the druidical peasants with their West Country accents and mystical herbs.
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Stella Dorothea Gibbons (1902-1989) was born in London. A novelist, poet and short-story writer, her first novel, Cold Comfort Farm, won the Femina Vie Heuruse Prize for 1933. Amongst her other novels are Miss Linsey and Pa , Nightingale Wood, Westwood, Conference at Cold Comfort Farm, and Beside the Pearly Water (1954). Lynne Truss is a writer and journalist. She is the author of the number one bestseller, Eats, Shoots & Leaves, which has sold more than two million copies, won the national British Book Award, and was on the New York Times bestseller list or forty-five weeks. She lives in Brighton, England. Roz Chast is a regular cartoonist for The New Yorker, and her work has also appeared in Redbook, Scientific American, Fast Company, and the Harvard Business Review. Her memoir, Can't We Talk About Something More Pleasant?, was a finalist for the National Book Award.
Rezensionen
Very probably the funniest book ever written Sunday Times
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