Color and Victorian Photography (eBook, PDF)

Redaktion: Smith, Lindsay

• Format: PDF

Produktbeschreibung

Nineteenth-century photography is usually thought of in terms of 'black and white' images, but intense experimentation with generating and fixing colors pre-dated the public announcement of the daguerreotype in 1839.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 220
• Erscheinungstermin: 18. Juli 2020
• Englisch
• ISBN-13: 9781000185027
• Artikelnr.: 59856462

Autorenporträt

Lindsay Smith is Professor in the School of English, and Co-Director of the Centre for Photography and the Visual, at the University of Sussex. With an interest in photography dating back to her training in Fine Art, she specializes in the interrelationships between nineteenth-century photography, literature and painting. She has published widely in the field and her books include: Victorian Photography, Painting and Poetry (1995), The Politics of Focus: Women, Children and Nineteenth Century Photography (1998), Pre-Raphaelitism: Poetry and Painting (2013) and Lewis Carroll: Photography on the Move (2015).

Inhaltsangabe

List of figures Introduction A Note on the Texts Texts Section 1: 'In traces represented by tints': Monochrome/polychrome. 1. From: J. C. Le Blon
Coloritto or the Harmony of Colouring in Painting (1720). 2. From: Johann Wolfgang von Goethe
Theory of Colours (1840). 3. From: John Ruskin "Of Turnerian Light
" Modern Painters IV
(1856). 4. From: French Discovery - Pencil of Nature
from "The New Art
" The Literary Gazette
Feb. 2
1839. 5. From: M. Claudet
"The Progress and Present State of the Daguerreotype Art
"(1843-1844). 6. "Calotypes
" The Literary Gazette (March 12
1842). 7. From: Charles Martel
"Colour in its Relation to Photography
" The Photographic News
August 1860. Section 2: 'Exposed to the Sunbeams': Chemical Reactions/'Vegetable colours'.8. Elizabeth Fulhame
Preface to
and extracts from
An Essay on Combustion (1794). 9. Thomas Wedgwood and Humphrey Davy
"An Account of a Method of copying Paintings upon Glass
" June (1802). 10. From: John F. W. Herschel
'On the Action of the rays of the Solar spectrum on Vegetable Colours
and Some New Photographic Processes'
(1842).Section 3: 'Graphy' and 'Photos': the Color Purple. 11. From: W. Cole
PURPURA ANGLICANA
being a discovery of a shell-fish found on the shores of the Severn . . .(1686). 12. From: "The Action of Light on the Colouring Matter from the 'Murex"' Sept.1
1860. 13. From: John Ruskin
"The Queen of the Air: Athena Keramitis II
" 1869. Section 4: 'Apollo and Apelles': Coloring by hand.14. From: Pliny the Elder
Book 25
Ch. 36
The Natural History. Trans. John Bostock and H. T. Riley (1855). 15. From: L. Mansion
Letters Upon the Art of Miniature Painting (London: 1822). 16. "Photography and Painting
" The Literary Gazette (Jan. 10
1846). 17. From: Henry Morley (1822-1894) and William Wills (1810-1880)
"Photography" March 19
(1853). 18. From: Alfred H. Wall
A Manual of Artistic Colouring
as applied to Photographs. (1861). 19. "Colouring Photographs. -No. I." (1863). Section 5: "Direct" and "Indirect" Color. 20. From: Robert Hunt
"On the Application of Science to the Fine and Useful Arts. Heliochrome
" Oct. 1851. 21. From: "Those who Live in Glass Houses
" Nov. 26
1864. 22. From: Gabriel Lippmann
"Colour Photography
" April 30
1896. 23. From: Sarah Angelina Acland
"The Spectrum Plate. Theory: Practice: Result
" (23 August 1900). 24. From: Yevonde
In Camera (1940). Bibliography Index