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In "Comedies and Errors," Henry Harland deftly weaves a tapestry of romantic entanglements and social commentary within the framework of late 19th-century society. This novel employs a witty and ironic narrative style, characterized by sharp dialogue and vividly drawn characters, to explore themes of love, deception, and the intricacies of human relationships. Harland's literary influences stem from the realism of authors like Henry James, as well as the burgeoning aesthetic movement, manifesting in rich descriptions and psychological depth that invite readers to question the superficiality of…mehr

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Produktbeschreibung
In "Comedies and Errors," Henry Harland deftly weaves a tapestry of romantic entanglements and social commentary within the framework of late 19th-century society. This novel employs a witty and ironic narrative style, characterized by sharp dialogue and vividly drawn characters, to explore themes of love, deception, and the intricacies of human relationships. Harland's literary influences stem from the realism of authors like Henry James, as well as the burgeoning aesthetic movement, manifesting in rich descriptions and psychological depth that invite readers to question the superficiality of social norms and conventions. Henry Harland, an American writer and literary critic, was deeply rooted in the cultural currents of his time, having lived in both the United States and Europe. His experiences in England, particularly his connections with the literary elite, undoubtedly influenced his perspective and thematic concerns in "Comedies and Errors." Harland's background in literature and criticism allowed him to cultivate a unique voice, focusing on the subtle ironies of modern life and the complexities of human interactions. "Comedies and Errors" is a compelling read for those who appreciate intricately crafted narratives intertwined with poignant social critique. Harland's keen observations and evocative prose encourage readers to reflect on the nature of love and the masks we wear in society. This novel is a testament to the cyclical nature of comedy and error, making it an essential addition to the canon of late Victorian literature.

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Autorenporträt
Henry Harland was an American novelist and editor. Harland was born in Norwich, Connecticut, in 1861 as the son of Fourierist Thomas Harland, a former roommate of editor and novelist Edmund Clarence Stedman. He grew up in New York, and after the Civil War, the Harlands lived in the city's German Jewish neighborhood. Harland went to City College of New York then briefly Harvard Divinity School. In May 1884, he married Aline Herminie Merriam, a fellow artist. His literary career is divided into two sections. During the first, he wrote a series of exciting novels under the pseudonym Sidney Luska, paying little attention to literary merit. His writings created under this name in the 1880s were the first widely read books about the American Jewish experience, which Harland both applauded and condemned. Harland's depictions were heavily criticized by the Jewish community. One review in the Philadelphia-based Jewish Exponent said one of his writings was "grossly inartistic" and displayed "condescension" and "vulgar assumption toward Jews." In The Menorah, Kaufmann Kohler claimed that in Harland's novels, "the Jews, as a class, lack refinement".