1,99 €
1,99 €
inkl. MwSt.
Sofort per Download lieferbar
payback
0 °P sammeln
1,99 €
1,99 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
0 °P sammeln
Als Download kaufen
1,99 €
inkl. MwSt.
Sofort per Download lieferbar
payback
0 °P sammeln
Jetzt verschenken
1,99 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
0 °P sammeln
  • Format: ePub

In "Comedies of Courtship," Anthony Hope deftly intertwines humor and romance within the backdrop of late Victorian society. The collection showcases an array of comedic tales that expose the absurdities and intricacies of romantic pursuits, exploring themes of love, societal expectations, and the folly of human nature. Hope's literary style is marked by his clever dialogue, engaging characters, and a keen sense of irony, allowing readers to appreciate both the entertainment and the subtle critiques embedded within his narratives. The book stands as a reflection of the era's shifting social…mehr

  • Geräte: eReader
  • ohne Kopierschutz
  • eBook Hilfe
  • Größe: 0.79MB
  • FamilySharing(5)
Produktbeschreibung
In "Comedies of Courtship," Anthony Hope deftly intertwines humor and romance within the backdrop of late Victorian society. The collection showcases an array of comedic tales that expose the absurdities and intricacies of romantic pursuits, exploring themes of love, societal expectations, and the folly of human nature. Hope's literary style is marked by his clever dialogue, engaging characters, and a keen sense of irony, allowing readers to appreciate both the entertainment and the subtle critiques embedded within his narratives. The book stands as a reflection of the era's shifting social mores, capturing the tensions and triumphs of courtship in a rapidly modernizing world. Anthony Hope, known for his adventurous novels like "The Prisoner of Zenda," was a keen observer of society and its foibles. His background in law and a deep interest in dramatic storytelling led him to explore the nuances of relationships within his work. Drawing inspiration from his own experiences and the societal landscape of his time, Hope brings a unique perspective to the romantic dilemmas portrayed in this collection, bridging the gap between comedy and genuine emotional insight. Readers who appreciate sharp wit and nuanced character studies will find "Comedies of Courtship" a delightful exploration of romance, rich with laughter and poignant reflections. This book is an essential read for those interested in Victorian literature, as it encapsulates the humor and contradictions of courtship, making it a timeless commentary on love's complexities.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Sir Anthony Hope Hawkins, as Anthony Hope (9 February 1863 - 8 July 1933), was a British novelist and playwright. He was a prolific writer, particularly of adventure stories, yet he is best known for only two works: The Prisoner of Zenda (1894) and its sequel Rupert of Hentzau (1898). These writings, considered "minor classics" of English literature, are set in the contemporaneous fictional kingdom of Ruritania and gave rise to the Ruritanian romance genre, which includes books set in fictional European places comparable to the novels. Zenda has inspired numerous adaptations, most notably the 1937 Hollywood film of the same name and the 1952 remake. Hope attended St John's School, Leatherhead, Marlborough College, and Balliol College, Oxford. In an intellectually distinguished career at Oxford, he earned first-class honours in Classical Moderations (Literis Graecis et Latinis) in 1882 and Literae Humaniores ('Greats') in 1885. Hope studied law and became a barrister in 1887, when the Middle Temple called him to the Bar. He studied under the future Liberal Prime Minister H. H. Asquith, who saw him as a potential barrister but was disillusioned by his decision to pursue a career in writing.