Hugh Dalziel Duncan
Communication and Social Order (eBook, PDF)
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Hugh Dalziel Duncan
Communication and Social Order (eBook, PDF)
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In this highly influential study of art forms as models for a theory of communications, Hugh Dalziel Duncan demonstrates that without understanding of the role of symbols in society, social scientists cannot hope to develop adequate models for social analysis.
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In this highly influential study of art forms as models for a theory of communications, Hugh Dalziel Duncan demonstrates that without understanding of the role of symbols in society, social scientists cannot hope to develop adequate models for social analysis.
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Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 532
- Erscheinungstermin: 12. Juli 2017
- Englisch
- ISBN-13: 9781351527569
- Artikelnr.: 48866850
- Verlag: Taylor & Francis
- Seitenzahl: 532
- Erscheinungstermin: 12. Juli 2017
- Englisch
- ISBN-13: 9781351527569
- Artikelnr.: 48866850
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Hugh Dalziel Duncan
One: Symbolic Contexts of Social Experience in Freud, Simmel, and Malinowski
1: Symbolic Interaction in Freud's Work
2: Georg Simmel's Search for an Autonomous Form of Sociability
3: Malinowski's Theory of the Social Context of Magical Language
Two: The Self and Society as Determined by Communication in James, Dewey, and Mead
4: Society As Determined by Communication
5: Communication and the Emergence of the Self in the Work of George Herbert Mead
6: The Final Phase of the Act
7: The Problem of Form in Mead's Theory of the Significant Symbol
Three: The Function of Symbols in Society: an Application of Burke's Dramatistic View of Social Relationships
8: Burke's Dramatistic View of Society
9: Social Order Considered as a Drama of Redemption Through Victimage
Four: Burke's Sociology of Language
10: The Structure and Function of the Act in the Work of Kenneth Burke
11: A Rhetoric of Motives
12: The Rhetoric of Social Order
Five: Social Mystification in Communication Between Classes
13: Toward a New Rhetoric
14: Social Mystification and Social Integration
15: Reason and Hierarchal Disorganization
16: The Rhetoric of Ruling
17: Rhetoric as an Instrument of Domination Through Unreason
18: Social Order Based on Unreason
Six: A Sociological Model of Social Order as Determined by the Communication of Hierarchy
19: Social Order as a Form of Hierarchy
20: The Communication of Hierarchy
21: Hierarchal Address
22: A Sociological View of "Inner" Audiences
Seven: Hierarchal Transcendence and Social Bonds
23: Social Transcendence
24: Equality and Social Order
25: The Establishment of Money as a Symbol of Community Life
26: Money as a Form of Transcendence in American Life
Eight: The Social Function of Art in Society
27: Comedy and Social Integration
28: The Comic Scapegoat
29: Comedy as the Rhetoric of Reason in Society
30: Tragic and Comic Sexual Themes Compared
Nine: By Way of Conclusion
31: A Sociological Model of Social Interaction as Determined by Communication
1: Symbolic Interaction in Freud's Work
2: Georg Simmel's Search for an Autonomous Form of Sociability
3: Malinowski's Theory of the Social Context of Magical Language
Two: The Self and Society as Determined by Communication in James, Dewey, and Mead
4: Society As Determined by Communication
5: Communication and the Emergence of the Self in the Work of George Herbert Mead
6: The Final Phase of the Act
7: The Problem of Form in Mead's Theory of the Significant Symbol
Three: The Function of Symbols in Society: an Application of Burke's Dramatistic View of Social Relationships
8: Burke's Dramatistic View of Society
9: Social Order Considered as a Drama of Redemption Through Victimage
Four: Burke's Sociology of Language
10: The Structure and Function of the Act in the Work of Kenneth Burke
11: A Rhetoric of Motives
12: The Rhetoric of Social Order
Five: Social Mystification in Communication Between Classes
13: Toward a New Rhetoric
14: Social Mystification and Social Integration
15: Reason and Hierarchal Disorganization
16: The Rhetoric of Ruling
17: Rhetoric as an Instrument of Domination Through Unreason
18: Social Order Based on Unreason
Six: A Sociological Model of Social Order as Determined by the Communication of Hierarchy
19: Social Order as a Form of Hierarchy
20: The Communication of Hierarchy
21: Hierarchal Address
22: A Sociological View of "Inner" Audiences
Seven: Hierarchal Transcendence and Social Bonds
23: Social Transcendence
24: Equality and Social Order
25: The Establishment of Money as a Symbol of Community Life
26: Money as a Form of Transcendence in American Life
Eight: The Social Function of Art in Society
27: Comedy and Social Integration
28: The Comic Scapegoat
29: Comedy as the Rhetoric of Reason in Society
30: Tragic and Comic Sexual Themes Compared
Nine: By Way of Conclusion
31: A Sociological Model of Social Interaction as Determined by Communication
One: Symbolic Contexts of Social Experience in Freud, Simmel, and Malinowski
1: Symbolic Interaction in Freud's Work
2: Georg Simmel's Search for an Autonomous Form of Sociability
3: Malinowski's Theory of the Social Context of Magical Language
Two: The Self and Society as Determined by Communication in James, Dewey, and Mead
4: Society As Determined by Communication
5: Communication and the Emergence of the Self in the Work of George Herbert Mead
6: The Final Phase of the Act
7: The Problem of Form in Mead's Theory of the Significant Symbol
Three: The Function of Symbols in Society: an Application of Burke's Dramatistic View of Social Relationships
8: Burke's Dramatistic View of Society
9: Social Order Considered as a Drama of Redemption Through Victimage
Four: Burke's Sociology of Language
10: The Structure and Function of the Act in the Work of Kenneth Burke
11: A Rhetoric of Motives
12: The Rhetoric of Social Order
Five: Social Mystification in Communication Between Classes
13: Toward a New Rhetoric
14: Social Mystification and Social Integration
15: Reason and Hierarchal Disorganization
16: The Rhetoric of Ruling
17: Rhetoric as an Instrument of Domination Through Unreason
18: Social Order Based on Unreason
Six: A Sociological Model of Social Order as Determined by the Communication of Hierarchy
19: Social Order as a Form of Hierarchy
20: The Communication of Hierarchy
21: Hierarchal Address
22: A Sociological View of "Inner" Audiences
Seven: Hierarchal Transcendence and Social Bonds
23: Social Transcendence
24: Equality and Social Order
25: The Establishment of Money as a Symbol of Community Life
26: Money as a Form of Transcendence in American Life
Eight: The Social Function of Art in Society
27: Comedy and Social Integration
28: The Comic Scapegoat
29: Comedy as the Rhetoric of Reason in Society
30: Tragic and Comic Sexual Themes Compared
Nine: By Way of Conclusion
31: A Sociological Model of Social Interaction as Determined by Communication
1: Symbolic Interaction in Freud's Work
2: Georg Simmel's Search for an Autonomous Form of Sociability
3: Malinowski's Theory of the Social Context of Magical Language
Two: The Self and Society as Determined by Communication in James, Dewey, and Mead
4: Society As Determined by Communication
5: Communication and the Emergence of the Self in the Work of George Herbert Mead
6: The Final Phase of the Act
7: The Problem of Form in Mead's Theory of the Significant Symbol
Three: The Function of Symbols in Society: an Application of Burke's Dramatistic View of Social Relationships
8: Burke's Dramatistic View of Society
9: Social Order Considered as a Drama of Redemption Through Victimage
Four: Burke's Sociology of Language
10: The Structure and Function of the Act in the Work of Kenneth Burke
11: A Rhetoric of Motives
12: The Rhetoric of Social Order
Five: Social Mystification in Communication Between Classes
13: Toward a New Rhetoric
14: Social Mystification and Social Integration
15: Reason and Hierarchal Disorganization
16: The Rhetoric of Ruling
17: Rhetoric as an Instrument of Domination Through Unreason
18: Social Order Based on Unreason
Six: A Sociological Model of Social Order as Determined by the Communication of Hierarchy
19: Social Order as a Form of Hierarchy
20: The Communication of Hierarchy
21: Hierarchal Address
22: A Sociological View of "Inner" Audiences
Seven: Hierarchal Transcendence and Social Bonds
23: Social Transcendence
24: Equality and Social Order
25: The Establishment of Money as a Symbol of Community Life
26: Money as a Form of Transcendence in American Life
Eight: The Social Function of Art in Society
27: Comedy and Social Integration
28: The Comic Scapegoat
29: Comedy as the Rhetoric of Reason in Society
30: Tragic and Comic Sexual Themes Compared
Nine: By Way of Conclusion
31: A Sociological Model of Social Interaction as Determined by Communication