New to the second edition:
- A review of the history of singing
- An overview of the development of melisma
- A chapter to help performers understand each other, as singers and actors often receive disparate educations
- Case studies and qualitative research around song, lyric and meaning
- A discussion of the synthetic voice
- An introduction to the concept of embodied composition
- Interviews with composers and singers
- Summaries of various vocal styles
- A website with links to performances discussed, as well as related workshops: www.composingforvoice.com
Composing for Voice: Exploring Voice, Language and Music, Second Edition, articulates possibilities for the practical exploration of language, music and voice by composers, singers and actors.
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