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Pitch, Melody Detection.- Separating Voices in Polyphonic Music: A Contig Mapping Approach.- An Auditory Model Based Approach for Melody Detection in Polyphonic Musical Recordings.- A New Probabilistic Spectral Pitch Estimator: Exact and MCMC-approximate Strategies.- Rhythm, Tempo, Beat.- Determination of Perceptual Tempo of Music.- Source Separation and Beat Tracking: A System Approach to the Development of a Robust Audio-to-Score System.- A Causal Rhythm Grouping.- Music Generation, Knowledge.- Fugue Composition with Counterpoint Melody Generation Using Genetic Algorithms.- Harmonizations of Time with Non Periodic Ordered Structures in Discrete Geometry and Astronomy.- A Self-Organizing Map Based Knowledge Discovery for Music Recommendation Systems.- Music Performance, Rendering, Interface.- Internet Archive of Electronic Music IAEM - internet Audio Rendering System iARS.- Handel, a Free-Hands Gesture Recognition System.- Open and Closed Form in Interactive Music.- Collaborative Computer-Aided Parameter Exploration for Music and Animation.- Music Scores, Synchronization.- Comparing Pitch Spelling Algorithms on a Large Corpus of Tonal Music.- Score-PCM Music Synchronization Based on Extracted Score Parameters.- Towards an Intelligent Score Following System: Handling of Mistakes and Jumps Encountered During Piano Practicing.- Synthesis, Timbre, Musical Playing.- Aspects of the Topology of Interactions on Loop Dynamics in One and Two Dimensions.- Perceptive and Cognitive Evaluation of a Piano Synthesis Model.- The Clarinet Timbre as an Attribute of Expressiveness.- Music Representation, Retrieval.- A Graph Theoretic Approach to Melodic Similarity.- A Content-Based Music Retrieval System Using Representative Melody Index from Music Databases.- Methods for CombiningStatistical Models of Music.- Constraint-Based Melody Representation.- Music Analysis.- Music Segmentation: An XML-oriented Approach.- Evolutionary Optimization of Music Performance Annotation.- Parichaykrama - An Exploratory Interface of Indian Classical Music Using Experiential Framework.
Pitch, Melody Detection.- Separating Voices in Polyphonic Music: A Contig Mapping Approach.- An Auditory Model Based Approach for Melody Detection in Polyphonic Musical Recordings.- A New Probabilistic Spectral Pitch Estimator: Exact and MCMC-approximate Strategies.- Rhythm, Tempo, Beat.- Determination of Perceptual Tempo of Music.- Source Separation and Beat Tracking: A System Approach to the Development of a Robust Audio-to-Score System.- A Causal Rhythm Grouping.- Music Generation, Knowledge.- Fugue Composition with Counterpoint Melody Generation Using Genetic Algorithms.- Harmonizations of Time with Non Periodic Ordered Structures in Discrete Geometry and Astronomy.- A Self-Organizing Map Based Knowledge Discovery for Music Recommendation Systems.- Music Performance, Rendering, Interface.- Internet Archive of Electronic Music IAEM - internet Audio Rendering System iARS.- Handel, a Free-Hands Gesture Recognition System.- Open and Closed Form in Interactive Music.- Collaborative Computer-Aided Parameter Exploration for Music and Animation.- Music Scores, Synchronization.- Comparing Pitch Spelling Algorithms on a Large Corpus of Tonal Music.- Score-PCM Music Synchronization Based on Extracted Score Parameters.- Towards an Intelligent Score Following System: Handling of Mistakes and Jumps Encountered During Piano Practicing.- Synthesis, Timbre, Musical Playing.- Aspects of the Topology of Interactions on Loop Dynamics in One and Two Dimensions.- Perceptive and Cognitive Evaluation of a Piano Synthesis Model.- The Clarinet Timbre as an Attribute of Expressiveness.- Music Representation, Retrieval.- A Graph Theoretic Approach to Melodic Similarity.- A Content-Based Music Retrieval System Using Representative Melody Index from Music Databases.- Methods for CombiningStatistical Models of Music.- Constraint-Based Melody Representation.- Music Analysis.- Music Segmentation: An XML-oriented Approach.- Evolutionary Optimization of Music Performance Annotation.- Parichaykrama - An Exploratory Interface of Indian Classical Music Using Experiential Framework.
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