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'How wonderful is the field of the history of art. How much work there is here for us Communists.'
Lenin to Lunacharsky
History is written by the winners and art history is no exception. The winners in America's history of art are the abstract painters who, subsidised by the CIA from the early 1940s, showed the world the avant garde art American democracy and freedom could produce. The losers were the artists working in the figurative tradition, who were seen from then on as old-fashioned and derivative. And the artists who had political leanings have been virtually erased from the story…mehr

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Produktbeschreibung
'How wonderful is the field of the history of art. How much work there is here for us Communists.'

Lenin to Lunacharsky

History is written by the winners and art history is no exception. The winners in America's history of art are the abstract painters who, subsidised by the CIA from the early 1940s, showed the world the avant garde art American democracy and freedom could produce. The losers were the artists working in the figurative tradition, who were seen from then on as old-fashioned and derivative. And the artists who had political leanings have been virtually erased from the story of American art. I would like to try to put them back.

From the late 1920s to the late 1930s, many artists in America became radicalised and moved politically to the far left. The Wall Street Crash of 1929 created extreme poverty, especially in rural America, culminating in the Dustbowl of 1934, immortalised in writing by Steinbeck and others but forgotten in art history. Many artists embraced the idea of revolution and determined to become revolutionary artists, some travelling to the Soviet Union, some fighting in the Spanish Civil War, all wanting to use their art to serve a revolutionary cause. The main aim of this book is to answer the question: what made a revolutionary artist?


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Autorenporträt
As well as Comrades in Art: Revolutionary Art in America 1926-1938 Francis Booth is the author of several books on twentieth century culture:

  • Amongst Those Left: The British Experimental Novel 1940-1960 (published by Dalkey Archive)
  • No Direction Home: The Uncanny In Literature
  • Text Acts: Twentieth Century Literary Eroticism
  • Everybody I Can Think of Ever: Meetings That Made the Avant Garde
  • A Girl Named Vera Can Never Tell A Lie: The Fiction of Vera Caspary
  • Girls in Bloom: Coming of Age in the Mid-20th Century Woman's Novel


Francis is also the author of two novel series:

  • The Code 17 series, set in the Swinging London of the 1960s and featuring aristocratic spy Lady Laura Summers
  • Young adult fantasy series The Watchers