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Upton's a playful writer who likes nothing better than to upset expectations Join the schemers and the dreamer on the English seafront, as another summer season begins. There's serious money to be made. Amongst the paint-peeling kiosks on the prom, Ella arrives like an erotic whilrwind, hell-bent on secruing the elusive jackpot and a ticket to Hollywood. But everyone else is raising their game too and, as events race towards an explosive conclusion, a pet hamster lies frozen amongst the melting Mivvis. >
Upton's a playful writer who likes nothing better than to upset expectations
Join the schemers and the dreamer on the English seafront, as another summer season begins. There's serious money to be made. Amongst the paint-peeling kiosks on the prom, Ella arrives like an erotic whilrwind, hell-bent on secruing the elusive jackpot and a ticket to Hollywood. But everyone else is raising their game too and, as events race towards an explosive conclusion, a pet hamster lies frozen amongst the melting Mivvis.
Judy Upton was born in Shoreham-by-Sea, Sussex. Her first stage play, Everlasting Rose, was produced at London New Play Festival in 1992. In 1994 she won the George Devine Award for Ashes and Sand, which was produced in that year at the Royal Court Theater Upstairs, and the Verity Bargate award for Bruises, which was co-produced by the Royal Court and Soho Theatre Company at the Theatre Upstairs in 1995. Judy's other stage plays are: Temple (The Room, Richmond Orange Tree, 1995); The Shorewatchers House (The Red Room, Kentish Town 1996); Stealing Souls (The Red Room, 1996); Sunspots (The Red Room, 1996, transferred to BAC); People on the River (The Red Room at the Finborough, 1997); To Blusher with Love (Winner of the Open Stages Competition, 1997); The Girlz (The Room, Richmond Orange Tree, 1998); Know Your Rights (The Red Room at BAC, 1998) and Sliding with Suzanne (Royal Court/Out-of-Joint, 2001). Upton is currently writer in residence with The Red Room.
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