Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
Considering new perspectives on writers such as Toni Morrison, Margaret Atwood, and Louise Erdrich, Confronting Visuality in Multi-ethnic Women's Writing traces a cross-cultural tradition in which contemporary female writers situate images of women within larger contexts of visuality.
Considering new perspectives on writers such as Toni Morrison, Margaret Atwood, and Louise Erdrich, Confronting Visuality in Multi-ethnic Women's Writing traces a cross-cultural tradition in which contemporary female writers situate images of women within larger contexts of visuality.
Angela Laflen is Associate Professor of English at Marist College, USA.
Inhaltsangabe
Introduction: What's (Still) Wrong with Images of Women? PART I. COMING-OF-AGE WITH MASS MEDIA 1. (Re)visualizing History in Toni Morrison's The Bluest Eye 2. Transforming Culture and Consciousness in Bobbie Ann Mason's In Country PART II. WITNESSING VISUAL MANIPULATION 3. 'There Were Signs and I Missed Them': Reading Beneath the Image in Margaret Atwood's Speculative Fiction 4. The Politics of Vanishing: Bearing Witness to the Wounded Family in Louise Erdrich's Shadow Tag PART III. SPECTATORSHIP IN AN EXPANDED FIELD OF VISION 5. Against Visual Objectivity in Gish Jen's "Birthmates" and Chitra Banerjee Divakaruni's "The Ultrasound" 6. Queering Spectatorship in Alison Bechdel's Fun Home Conclusion: Confronting Visuality in the Digital Age ?
Introduction: What's (Still) Wrong with Images of Women? PART I. COMING-OF-AGE WITH MASS MEDIA 1. (Re)visualizing History in Toni Morrison's The Bluest Eye 2. Transforming Culture and Consciousness in Bobbie Ann Mason's In Country PART II. WITNESSING VISUAL MANIPULATION 3. 'There Were Signs and I Missed Them': Reading Beneath the Image in Margaret Atwood's Speculative Fiction 4. The Politics of Vanishing: Bearing Witness to the Wounded Family in Louise Erdrich's Shadow Tag PART III. SPECTATORSHIP IN AN EXPANDED FIELD OF VISION 5. Against Visual Objectivity in Gish Jen's "Birthmates" and Chitra Banerjee Divakaruni's "The Ultrasound" 6. Queering Spectatorship in Alison Bechdel's Fun Home Conclusion: Confronting Visuality in the Digital Age ?
Introduction: What's (Still) Wrong with Images of Women? PART I. COMING-OF-AGE WITH MASS MEDIA 1. (Re)visualizing History in Toni Morrison's The Bluest Eye 2. Transforming Culture and Consciousness in Bobbie Ann Mason's In Country PART II. WITNESSING VISUAL MANIPULATION 3. 'There Were Signs and I Missed Them': Reading Beneath the Image in Margaret Atwood's Speculative Fiction 4. The Politics of Vanishing: Bearing Witness to the Wounded Family in Louise Erdrich's Shadow Tag PART III. SPECTATORSHIP IN AN EXPANDED FIELD OF VISION 5. Against Visual Objectivity in Gish Jen's "Birthmates" and Chitra Banerjee Divakaruni's "The Ultrasound" 6. Queering Spectatorship in Alison Bechdel's Fun Home Conclusion: Confronting Visuality in the Digital Age ?
Introduction: What's (Still) Wrong with Images of Women? PART I. COMING-OF-AGE WITH MASS MEDIA 1. (Re)visualizing History in Toni Morrison's The Bluest Eye 2. Transforming Culture and Consciousness in Bobbie Ann Mason's In Country PART II. WITNESSING VISUAL MANIPULATION 3. 'There Were Signs and I Missed Them': Reading Beneath the Image in Margaret Atwood's Speculative Fiction 4. The Politics of Vanishing: Bearing Witness to the Wounded Family in Louise Erdrich's Shadow Tag PART III. SPECTATORSHIP IN AN EXPANDED FIELD OF VISION 5. Against Visual Objectivity in Gish Jen's "Birthmates" and Chitra Banerjee Divakaruni's "The Ultrasound" 6. Queering Spectatorship in Alison Bechdel's Fun Home Conclusion: Confronting Visuality in the Digital Age ?
Rezensionen
"In her compelling monograph Confronting Visuality in Multi-Ethnic Women's Writing, Angela Laflen offers an insightful perspective on a diverse selection of acclaimed contemporary women writers ... . Confronting Visuality in Multi-Ethnic Women's Writing is a stimulating and worthwhile contribution to the evolving field of feminist scholarship on the visual in literary texts." (Roger Knight, TSWL Tulsa Studies in Women's Literature, 2015)
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/neu