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This is the first single volume in either English or Russian on the representation of Pushkin in Yuri Tynianov's novels. It demonstrates the percipience and originality of Tynianov's concept of Pushkin's personality and assesses Tynianov's contribution to the Soviet historical novel. The approach re-orients the angle of investigation from the study of his novels as historical biographical works with their adherence to chronology and factuality to their study within the generic frameworks of other genres, which allowed Tynianov to create a new, artistically viable form of novel. The author…mehr
This is the first single volume in either English or Russian on the representation of Pushkin in Yuri Tynianov's novels. It demonstrates the percipience and originality of Tynianov's concept of Pushkin's personality and assesses Tynianov's contribution to the Soviet historical novel. The approach re-orients the angle of investigation from the study of his novels as historical biographical works with their adherence to chronology and factuality to their study within the generic frameworks of other genres, which allowed Tynianov to create a new, artistically viable form of novel. The author investigates how and why an esteemed Formalist scholar, initially strongly anti-biographical, turned to biographical fiction; contextualizes the significance of his choice of genre and hero in the Soviet literary process of the 1920-30s; and examines theoretical approaches that enabled him to create an illusion of authenticity unprecedented in Pushkin novels. Building her analysis on the theoretical conclusions, she investigates Tynianov's artistic methods of interpreting the formative influences on Pushkin while focusing on the Formalist techniques of enhanced literariness. Exploration of each of Tynianov's novels demonstrates what Tynianov believed to be true about the origins and originality of Pushkin's genius, the nature of historical understanding, and Pushkin's own historical thinking. Appraising the mythopoeic techniques that Pushkin's forebears, family and the poet himself employed as means of reconstructing their origins, Rush demonstrates how Tynianov explodes some of the myths of self-representation in which Pushkin's paternal great-grandfather - and his offspring after him - indulged throughout their lives, and reveals how these myths paralleled Pushkin's anxieties concerning race and class. The study reveals the ways in which Tynianov, while grappling with and overrunning the monumentalizing national Pushkin myth, subverted the generic expectations of the historical novel, broke away from established tradition and elevated his novel to the level of «serious» literature.
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Autorenporträt
Anna Kurkina Rush holds a PhD from the University of St Andrews. She previously taught English at the University of Vladimir and Russian at George Watson's College, Edinburgh, and the University of St Andrews. An acclaimed translator from and into Russian, she translated into English numerous works, mostly hitherto untranslated, including all Yuri Tynianov's novels - Pushkin, TheDeath of Vazir-Mukhtar and Küchlya - and, into Russian, a historical novel about Shakespeare. She is currently an independent researcher and lives in Edinburgh. At present she is editing a book entitled Futilities of Facts, a companion to Tynianov's modernist novel The Death of Vazir-Mukhtar (1928), and is editing and translating a volume of Tynianov's seminal scholarly essays Pushkin and hisContemporaries.
Inhaltsangabe
Contents: Küchlya: The Knight- Errant of the Unfulfilled Dream - The Death of Vazir- Mukhtar - A Novel of (Failed) Survival - In Search of Self: Pushkin as a Novel of Education, Artistic Production and Engagement with History - Personal Myths and 'Acceptable' Ancestry in Pushkin and The Gannibals.
Contents: Küchlya: The Knight- Errant of the Unfulfilled Dream - The Death of Vazir- Mukhtar - A Novel of (Failed) Survival - In Search of Self: Pushkin as a Novel of Education, Artistic Production and Engagement with History - Personal Myths and 'Acceptable' Ancestry in Pushkin and The Gannibals.
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