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This companion volume to The Courtly Consort Suite in German-Speaking Europe surveys the consort suites and dance music by musicians working in the seventeenth-century German towns. The central part of the book explores the organisation, content and assembly of town suites into carefully ordered printed collections, which refutes the concept of the so-called classical suite. The differences between court and town suites are dealt with alongside the often-ignored variation suite from the later decades of the seventeenth century and the separate suite-writing traditions of Leipzig and Hamburg.

Produktbeschreibung
This companion volume to The Courtly Consort Suite in German-Speaking Europe surveys the consort suites and dance music by musicians working in the seventeenth-century German towns. The central part of the book explores the organisation, content and assembly of town suites into carefully ordered printed collections, which refutes the concept of the so-called classical suite. The differences between court and town suites are dealt with alongside the often-ignored variation suite from the later decades of the seventeenth century and the separate suite-writing traditions of Leipzig and Hamburg.


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Autorenporträt
Michael Robertson completed his PhD in 2004. In addition to working as a teacher, harpsichordist and organist, he writes about seventeenth-century music and has a fruitful music-editing partnership with a leading German publisher of early music. He is a visiting research fellow at the University of Leeds.