David Gram

Contemporary Farce on the Global Stage (eBook, ePUB)

or, Serious Laughter

• Format: ePub

Produktbeschreibung

Contemporary Farce on the Global Stage provides audiences and practitioners a detailed survey of how the genre of farce has evolved in the twenty-first century.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 232
• Erscheinungstermin: 9. April 2024
• Englisch
• ISBN-13: 9781040014356
• Artikelnr.: 69953665

Autorenporträt

David Gram is an Assistant Professor of Theatre at Oakland University in Rochester Hills, Michigan, USA. He has been a theatre and opera director, actor, dramaturg, and playwright for over 25 years. Other research interests include contemporary musical theatre, Elizabethan and Jacobean drama, and new play development.

Inhaltsangabe

Foreword by Ken Ludwig Introduction Entrances: The Foundations of
Contemporary Farce 1. Domestic Farce 2. Social Farce 3. Political Farce 4.
Cultural Farce (or 'Farce Remixed') 5. Backstage Farce Exits: Farce and the
Future

---

Foreword by Ken Ludwig Introduction Entrances: The Foundations of Contemporary Farce 1. Domestic Farce 2. Social Farce 3. Political Farce 4. Cultural Farce (or 'Farce Remixed') 5. Backstage Farce Exits: Farce and the Future

Rezensionen

"Whether an actor, director, designer, or audience member, Contemporary Farce on the Global Stage is an exceptional resource for deconstructing the elusive form of farce. Accessible and actionable, the book's clear definitions and numerous examples empower artists to understand and embrace "the math" in each beat. Starting rehearsal for Noises Off, I'm thankful to have Gram's insight and guidance heading into the work. He has written a must-have for lovers of farce."

Tommy Wedge, Associate Professor of Theatre, Saginaw Valley State University, USA

"[Gram's] book extends our understanding of the long tradition of farce to include plays of the 21st Century. It therefore demonstrates that the art of farce is not valuable simply because it persists, but because the form itself continues to evolve. Farce continues to be an essential dramatic structure, one to which both playwrights and audiences repeatedly return. As a playwright who has sought to tell some of his stories in this form, I'm indebted to Gram for his scholarship."

Ken Ludwig, Award-winning Playwright, USA