Vlad Strukov

Contemporary Russian Cinema (eBook, PDF)

Symbols of a New Era

• Format: PDF

Produktbeschreibung

One of the first books to explore Russian cinema in the new millennium, this volume captures the emergence of a new cinematic sensibility and interprets it through the framework of the symbolic mode. Analysing films by established directors such as Sokurov, Zviagintsev and Zel'dovich, as well as lesser-known filmmakers like Balabanov, Fedorchenko and Kalatozishvili, Contemporary Russian Cinema: Symbols of a New Era explores the particular style of film presentation that has emerged in Russia since 2000, characterised by its use of highly abstract concepts and visual language. Whether directed towards a mystical world, or even towards an afterlife, the symbolic mode defines the emergence of a specific mindscape which has escaped previous representational forms and is intrinsically linked to Russia's dramatic political and economic development since the turn of the 21st century.

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Produktdetails

• Verlag: Edinburgh University Press
• Erscheinungstermin: 12. April 2016
• Englisch
• ISBN-13: 9781474407656
• Artikelnr.: 50146337

Autorenporträt

Vlad Strukov is Associate Professor at the University of Leeds, specialising in world cinemas, digital media and cultural theory

Inhaltsangabe

Introduction
Chapter 1: Abstracted Subjectivity and Knowledge-Worlds: Aleksandr
Sokurov's Taurus (2001)
Chapter 2: The Lacking Sense of Cinema: Aleksandr Proshkin's The Miracle
(2009)
Chapter 3: Gatekeepers of (Non-)Knowledge: Aleksei Balabanov's Morphine
(2008)
Chapter 4: Symbolic Folds and Flattened Discourse: Andrei Zviagintsev's
Elena (2010)
Chapter 5: Non-Knowledge and the Symbolic Mode: Nikolai Khomeriki's A Tale
About Darkness (2009)
Chapter 6: The World and the Event: Kirill Serebrennikov's St. George's Day
(2008)
Chapter 7: A Plea for the Dead (Self): Renata Litvinova's Goddess: How I
Fell in Love (2004)
Chapter 8: Body in Crisis and Posthumous Subjectivity: Igor' Voloshin's
Nirvana (2008)
Chapter 9: The Difficulty of Being Dead: Aleksandr Veledinskii's Alive
(2006)
Chapter 10: Intentionality and Modelled Subjectivities: Aleksei
Fedorchenko's Silent Souls (2010)
Chapter 11: Abandoned Being: Mikhail Kalatozishvili's The Wild Field (2008)
Chapter 12: Conclusions: Amplifications of Subjectivity: Aleksandr
Zel'dovich's The Target (2010)
Filmography
Bibliography
Index