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  • Format: ePub

"This is Raymond Chandler for feminists." ―Sharma Shields, author of The Cassandra "An expressive and striking story that examines what one does for family and for oneself." ―Kirkus Reviews Jane's a very brave boy. And a very difficult girl. She'll become a remarkable woman, an icon of her century, but that's a long way off. Not my fault, she thinks, dropping a bloody crowbar in the irrigation ditch after Daddy. She steals Momma's Ford and escapes to Depression-era San Francisco, where she fakes her way into work as a newspaper copy boy. Everything's looking up. She's climbing the ladder at…mehr

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Produktbeschreibung
"This is Raymond Chandler for feminists." ―Sharma Shields, author of The Cassandra "An expressive and striking story that examines what one does for family and for oneself." ―Kirkus Reviews Jane's a very brave boy. And a very difficult girl. She'll become a remarkable woman, an icon of her century, but that's a long way off. Not my fault, she thinks, dropping a bloody crowbar in the irrigation ditch after Daddy. She steals Momma's Ford and escapes to Depression-era San Francisco, where she fakes her way into work as a newspaper copy boy. Everything's looking up. She's climbing the ladder at the paper, winning validation, skill, and connections with the artists and thinkers of her day. But then Daddy reappears on the paper's front page, his arm around a girl who's just been beaten into a coma one block from Jane's newspaper―hit in the head with a crowbar. Jane's got to find Daddy before he finds her, and before everyone else finds her out. She's got to protect her invented identity. This is what she thinks she wants. It's definitely what her dead brother wants.

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Autorenporträt
Shelley Blanton-Stroud grew up in California's Central Valley, the daughter of Dust Bowl immigrants who made good on their ambition to get out of the field. Recently retired from teaching writing in Northern California, she continues to consult with writers in the energy industry. She has served as President of the Board of 916 Ink, an arts-based creative writing nonprofit for children, and serves on the Board of Advisors for the Gould Center for Humanistic Studies at Claremont McKenna College. She previously co-directed Stories on Stage Sacramento, where actors perform the stories of established and emerging authors. Her historical mystery series-Copy Boy, Tomboy, and Poster Girl-follows Jane Benjamin, a cross-dressing, tomato-picking, San Francisco gossip columnist who investigates crime stories that never make the front page in 1930s and '40s Northern California. Her fourth novel, An Unlikely Prospect, features a new protagonist in the same world. She and her husband live in Sacramento, California.