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Craft Economies provides a wide-ranging exploration of contemporary craft production, situating practices of amateur and professional making within a wider creative economy. Contributors address a diverse range of practices, sites and forms of making in a wide range of regional and national contexts, from floristry to ceramics and from crochet to coding. The volume considers the role of digital practices of making and the impact of the maker's movement as part of larger trends around customisation, on-demand production, and the possibilities of 3D printing and digital manufacturing.
Craft Economies provides a wide-ranging exploration of contemporary craft production, situating practices of amateur and professional making within a wider creative economy. Contributors address a diverse range of practices, sites and forms of making in a wide range of regional and national contexts, from floristry to ceramics and from crochet to coding. The volume considers the role of digital practices of making and the impact of the maker's movement as part of larger trends around customisation, on-demand production, and the possibilities of 3D printing and digital manufacturing.
Susan Luckman is Professor of Cultural and Creative Industries and Director of the Creative People, Products and Places Research Centre at the University of South Australia. Her work is concerned with the intersections of creativity, place, making and technology. Nicola Thomas is Professor of Historical and Cultural Geography at the University of Exeter, UK. Her research addresses craft geographies and situating contemporary and 20th-century craft practice within the broader creative economy.
Inhaltsangabe
1. Crafting Economies: Contemporary Cultural Economies of the Handmade Susan Luckman (University of South Australia) and Nicola Thomas ( University of Exeter UK) Part One: Craft Making and the Creative Economy 2. Crafts Community: Physical and Virtual Xin Gu (Monash University Australia) 3. Fast Forward: Design Economies and Practice in the Near Future Marzia Mortati (Politecnico di Milano Italy) 4. Craft Collectivity and Event-time Katve-Kaisa Kontturi (University of Turku Finland) 5. "Buy a Hat Save a Life": Commodity Activism Fair Trade and Crafting Economies of Change Lisa A. Daily (NYU Gallatin USA) Part Two: Craft the 'Handmade' and Contested Commodification 6. Towards a Politics of Making: Re-framing Material Work and Locating Skill in the Anthropocene Chris Gibson and Chantel Carr (University of Wollongong Australia) 7. Dichotomies in Textile Making: Employing Digital Technology and Retaining Authenticity Sonja Andrew (University of Leeds UK) and Kandy Diamond (Nottingham Trent University UK) 8. People Have the Power?: Appropriate Technology and the Implications of Design for Labour-intensive Making Gabriele Oropallo (London Metropolitan University UK) 9. The Ghost Potter: Vital Forms and Spectral Marks of Skilled Craftsmen in Contemporary Tableware Ezra Shales (Massachusetts College of Art and Design USA) Part Three: The Work of Craft 10. Our Future is in the Making: Trends in Craft Education Practice and Policy Julia Bennett (Crafts Council UK) 11. Establishing the Crafting Self in the Contemporary Creative Economy Susan Luckman and Jane Andrew (University of South Australia) 12. Handmaking your Way out of Poverty?: Craftwork's Potential and Peril as a Strategy for Poverty Alleviation in Rockford Illinois Jessica Barnes (Northern Arizona University USA) Part Four: Craft-driven Place-making and Transnational Circuits of Craft Practice 13. Interrogating Localism: What Does "Made in Portland" Really Mean? Stephen Marotta and Charles Heying (Portland State University USA) 14. Policy Locality and Networks in a Cultural and Creative Countryside: The Case of Jingdezhen China Troy Zhen Chen (University of the Arts London UK) 15. Design Recycle Meets the Product Introduction Hall: Craft Locality and Agency in Northern Japan Sarah Teasley (RMIT University Australia) 16. Crafted Places/Places for Craft: Pop-up and the Politics of the "Crafted" City Ella Harris (Birkbeck University of London UK) Part Five: Technology Innovation and Craft 17. Knitting and Crochet as Experiment: Exploring Social and Material Practices of Computation and Craft Gail Kenning (University of Technology Sydney Australia) and Jo Law (University of Wollongong Australia) 18. Towards New Modes of Knowledge Production: Makerspaces and Emerging Maker Practices Angelina Russo (Global Centre for Modern Ageing Australia) 19. The Post-digital: Contemporary Making and the Allure of the Genuine Keith Doyle Hélène Day Fraser and Philip Robins (Emily Carr University of Art + Design) 20. Crafting Code: Gender Coding and Spatial Hybridity in the Events of PyLadies Dublin Sophia Maalsen (University of Sydney Australia) and Sung-Yueh Perng (Maynooth University Republic of Ireland) References Index
1. Crafting Economies: Contemporary Cultural Economies of the Handmade Susan Luckman (University of South Australia) and Nicola Thomas ( University of Exeter UK) Part One: Craft Making and the Creative Economy 2. Crafts Community: Physical and Virtual Xin Gu (Monash University Australia) 3. Fast Forward: Design Economies and Practice in the Near Future Marzia Mortati (Politecnico di Milano Italy) 4. Craft Collectivity and Event-time Katve-Kaisa Kontturi (University of Turku Finland) 5. "Buy a Hat Save a Life": Commodity Activism Fair Trade and Crafting Economies of Change Lisa A. Daily (NYU Gallatin USA) Part Two: Craft the 'Handmade' and Contested Commodification 6. Towards a Politics of Making: Re-framing Material Work and Locating Skill in the Anthropocene Chris Gibson and Chantel Carr (University of Wollongong Australia) 7. Dichotomies in Textile Making: Employing Digital Technology and Retaining Authenticity Sonja Andrew (University of Leeds UK) and Kandy Diamond (Nottingham Trent University UK) 8. People Have the Power?: Appropriate Technology and the Implications of Design for Labour-intensive Making Gabriele Oropallo (London Metropolitan University UK) 9. The Ghost Potter: Vital Forms and Spectral Marks of Skilled Craftsmen in Contemporary Tableware Ezra Shales (Massachusetts College of Art and Design USA) Part Three: The Work of Craft 10. Our Future is in the Making: Trends in Craft Education Practice and Policy Julia Bennett (Crafts Council UK) 11. Establishing the Crafting Self in the Contemporary Creative Economy Susan Luckman and Jane Andrew (University of South Australia) 12. Handmaking your Way out of Poverty?: Craftwork's Potential and Peril as a Strategy for Poverty Alleviation in Rockford Illinois Jessica Barnes (Northern Arizona University USA) Part Four: Craft-driven Place-making and Transnational Circuits of Craft Practice 13. Interrogating Localism: What Does "Made in Portland" Really Mean? Stephen Marotta and Charles Heying (Portland State University USA) 14. Policy Locality and Networks in a Cultural and Creative Countryside: The Case of Jingdezhen China Troy Zhen Chen (University of the Arts London UK) 15. Design Recycle Meets the Product Introduction Hall: Craft Locality and Agency in Northern Japan Sarah Teasley (RMIT University Australia) 16. Crafted Places/Places for Craft: Pop-up and the Politics of the "Crafted" City Ella Harris (Birkbeck University of London UK) Part Five: Technology Innovation and Craft 17. Knitting and Crochet as Experiment: Exploring Social and Material Practices of Computation and Craft Gail Kenning (University of Technology Sydney Australia) and Jo Law (University of Wollongong Australia) 18. Towards New Modes of Knowledge Production: Makerspaces and Emerging Maker Practices Angelina Russo (Global Centre for Modern Ageing Australia) 19. The Post-digital: Contemporary Making and the Allure of the Genuine Keith Doyle Hélène Day Fraser and Philip Robins (Emily Carr University of Art + Design) 20. Crafting Code: Gender Coding and Spatial Hybridity in the Events of PyLadies Dublin Sophia Maalsen (University of Sydney Australia) and Sung-Yueh Perng (Maynooth University Republic of Ireland) References Index
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