This collection explores how autoethnography is made. Contributors reflect on the processes they engage in as they craft their autoethnographic artefacts. Each chapter explores a different material or media, together creating a rich and stimulating set of demonstrations, with focus on the practical accomplishment of texts/artefacts.
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"Practices and academic disciplines that are founded on skilled material engagement have lacked methods to bring to light what this engagement involves. From this perspective, the focus on the making of autoethnographies in Crafting Autoethnography provides an essential and welcome addition to the resources available for contemporary research and practice."
Tom Fisher, Professor of Art and Design, Nottingham Trent University, UK
"This is a wonderful book! The go-to text on theorising, making/doing and reflecting on autoethnography in current times. A richly textured collection that is rooted in the history of the method and the importance of paying attention to the multifaceted ways we can work with personal and professional experience."
Maggie O'Neill, Professor in Sociology, University College Cork, Ireland
"This fascinating collection of intertwined and evocative autoethnographic creations is a welcome addition to a developing auto-methodological literature. In contrast to existing works, it offers readers grounded and rich insights into the art and crafting of autoethnographic making. It succeeds in drawing us in to the lifeworlds of autoethnographic creators."
Jacquelyn Allen-Collinson, Professor Emerita in Sociology & Physical Cultures, University of Lincoln, UK
Tom Fisher, Professor of Art and Design, Nottingham Trent University, UK
"This is a wonderful book! The go-to text on theorising, making/doing and reflecting on autoethnography in current times. A richly textured collection that is rooted in the history of the method and the importance of paying attention to the multifaceted ways we can work with personal and professional experience."
Maggie O'Neill, Professor in Sociology, University College Cork, Ireland
"This fascinating collection of intertwined and evocative autoethnographic creations is a welcome addition to a developing auto-methodological literature. In contrast to existing works, it offers readers grounded and rich insights into the art and crafting of autoethnographic making. It succeeds in drawing us in to the lifeworlds of autoethnographic creators."
Jacquelyn Allen-Collinson, Professor Emerita in Sociology & Physical Cultures, University of Lincoln, UK