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Bringing together an understanding of cinematic technique and creative choices, this book explores how directors make the technical choices to tell a story in the most effective way. Analysing examples from films it demonstrates how to practice analysis and application to take your storytelling to the next level through creative choices.
Bringing together an understanding of cinematic technique and creative choices, this book explores how directors make the technical choices to tell a story in the most effective way. Analysing examples from films it demonstrates how to practice analysis and application to take your storytelling to the next level through creative choices.
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Will Hong is an Assistant Professor of Digital Media Production at the State Univeristy of New York at New Paltz. He spent two decades in the film and television industry in New York City working on short and feature-length independent films, music videos (including from artists Weezer, Alicia Keys, Black-Eyed Peas, Modest Mouse), numerous TV spots and promos for such clients as ESPN, Phillips-Van Heusen, HBO, Kenneth Cole, Macy's, HGTV and MTV, reality television shows (HouseHunters International), as well as corporate (silver Telly Award winner) and associated web-based content. He has taught the fundamentals of storytelling and filmmaking at The Lee Strasberg Theater and Film Institute, the New York Film Academy (NYC), the Dalton School, and Marist College in Poughkeepsie, NY.
Inhaltsangabe
CHAPTER 1 - Why Scenes?; CHAPTER 2 - The Rules of Enchantment: Aristotle's Poetics; CHAPTER 3 - The Playground Scene of Alfred Hitchcock's The Birds (1963) - Believing is Seeing and Constructing Subjectivity; CHAPTER 4 - The Death of the Thief Scene in Akira Kurosawa's Seven Samurai (1954) - Space, Time, and Efficient Exposition; CHAPTER 5 - The Dôme Café Scene in Agnes Varda's Cléo de 5 à 7 (1961) - Real Time and Real Life in the Service of Fiction; CHAPTER 6 - The Wall of Fame Scene in Spike Lee's Do the Right Thing (1989) - Shaping the Scene for Complexity and Payoff; CHAPTER 7 - The Roadhouse Slaughter Scene in Kathryn Bigelow's Near Dark (1987) - Invigorating Genre Through Subversion and Making the Familiar Strange Again; CHAPTER 8 - Why Bother?; BONUS CHAPTER - Taylor Swift's Music Video for "Shake it Off" (2014) - Micro Behaviors, Macro Humility, and Moving Toward Real Inclusion; APPENDIX: WHERE TO WATCH THE SCENES; ACKNOWLEDGMENTS; SELECTED TEXTS; INDEX
CHAPTER 1 - Why Scenes?; CHAPTER 2 - The Rules of Enchantment: Aristotle's Poetics; CHAPTER 3 - The Playground Scene of Alfred Hitchcock's The Birds (1963) - Believing is Seeing and Constructing Subjectivity; CHAPTER 4 - The Death of the Thief Scene in Akira Kurosawa's Seven Samurai (1954) - Space, Time, and Efficient Exposition; CHAPTER 5 - The Dôme Café Scene in Agnes Varda's Cléo de 5 à 7 (1961) - Real Time and Real Life in the Service of Fiction; CHAPTER 6 - The Wall of Fame Scene in Spike Lee's Do the Right Thing (1989) - Shaping the Scene for Complexity and Payoff; CHAPTER 7 - The Roadhouse Slaughter Scene in Kathryn Bigelow's Near Dark (1987) - Invigorating Genre Through Subversion and Making the Familiar Strange Again; CHAPTER 8 - Why Bother?; BONUS CHAPTER - Taylor Swift's Music Video for "Shake it Off" (2014) - Micro Behaviors, Macro Humility, and Moving Toward Real Inclusion; APPENDIX: WHERE TO WATCH THE SCENES; ACKNOWLEDGMENTS; SELECTED TEXTS; INDEX
Rezensionen
'Will Hong's excellent Crafting the Scene: Lessons in Storytelling from the Masters of Cinema fills a gaping hole in many curriculums. It is a rich, exhaustive exploration of the role of individual scenes from a film that touches on both how they work on their own as scenes worth studying but also how they fit into the film in a big picture kind of way.' David Greenberg, University of the Arts
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