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An exploration of how young artists imagine and maintain hope in post-revolutionary Egypt Creating Spaces of Hope explores some of the newest, most dynamic creativity emerging from young artists in Egypt and the way in which these artists engage, contest, and struggle with the social and political landscape of post-revolutionary Egypt. How have different types of artistsstudio artists, graffiti artists, musicians and writersresponded personally and artistically to the various stages of political transformation in Egypt since the January 25 revolution? What has the political or social role…mehr
An exploration of how young artists imagine and maintain hope in post-revolutionary Egypt Creating Spaces of Hope explores some of the newest, most dynamic creativity emerging from young artists in Egypt and the way in which these artists engage, contest, and struggle with the social and political landscape of post-revolutionary Egypt.
How have different types of artistsstudio artists, graffiti artists, musicians and writersresponded personally and artistically to the various stages of political transformation in Egypt since the January 25 revolution? What has the political or social role of art been in these periods of transition and uncertainty? What are the aesthetic shifts and stylistic transformations present in the contemporary Egyptian art world?
Based on personal interviews with artists over many years of research in Cairo, Caroline Seymour-Jorn moves beyond current understandings of creative work primarily as a form of resistance or political commentary, providing a more nuanced analysis of creative production in the Arab world. She argues that in more recent years these young artists have turned their creative focus increasingly inward, to examine issues having to do with personal relationships, belonging and inclusion, and maintaining hope in harsh social, political and economic circumstances. She shows how Egyptian artists are constructing spaces of hope that emerge as their art or writing becomes a conduit for broader discussion of social, political, personal, and existential ideas, thereby forging alternative perspectives on Egyptian society, its place in the region and in the larger global context.
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Autorenporträt
Caroline Seymour-Jorn is associate professor of comparative literature and Arabic translation at the University of Wisconsin-Milwaukee.
Inhaltsangabe
Contents List of Illustrations Acknowledgments Introduction Why This Book? The Social and Political Context Cairo's Artistic and Literary Worlds An Interdisciplinary Approach to Creativity Chapter 1: Egypt's Choir Project: Singing and Performing Spaces of Hope Introduction An Introductory Sketch: The Choir Project Performing the Future The "No Comment Choir": The First Anniversary of the Revolution Theatrical Moves: Zobaida Participant Perspectives Summary Chapter 2: Studio Art in the Revolutionary and Postrevolutionary City Artistic Contexts Hany Rashed: Explorations in the Surreal Bassem Yousri: The Absurd in Revolution, Aesthetics, and Interpersonal Understanding Yasmine ElMeleegy: Healing Private and Public Bodies Summary Chapter 3: Writing the New Imagination: Exploring the Real in the Unreal Mennat Allah Samy: A Personal Sketch Hani Abdel Mourid: Myth, Metafiction, and Magical Realism in Ana al-'alam (I Am the World) Summary Chapter 4: Faces of the Past and the Future: Street Art in the Postrevolutionary City The Egyptian Citizen Wall Context: Policeman by Salma Samy Ammar Abo Bakr's Portrait of Hisham Rizq Wall Context: The King Is Back Pharaonism in Street Art Summary Chapter 5: Conclusion The Body Metanarrative and Metafictional Elements Looking Inward Spaces of Hope Notes Bibliography
Contents List of Illustrations Acknowledgments Introduction Why This Book? The Social and Political Context Cairo's Artistic and Literary Worlds An Interdisciplinary Approach to Creativity Chapter 1: Egypt's Choir Project: Singing and Performing Spaces of Hope Introduction An Introductory Sketch: The Choir Project Performing the Future The "No Comment Choir": The First Anniversary of the Revolution Theatrical Moves: Zobaida Participant Perspectives Summary Chapter 2: Studio Art in the Revolutionary and Postrevolutionary City Artistic Contexts Hany Rashed: Explorations in the Surreal Bassem Yousri: The Absurd in Revolution, Aesthetics, and Interpersonal Understanding Yasmine ElMeleegy: Healing Private and Public Bodies Summary Chapter 3: Writing the New Imagination: Exploring the Real in the Unreal Mennat Allah Samy: A Personal Sketch Hani Abdel Mourid: Myth, Metafiction, and Magical Realism in Ana al-'alam (I Am the World) Summary Chapter 4: Faces of the Past and the Future: Street Art in the Postrevolutionary City The Egyptian Citizen Wall Context: Policeman by Salma Samy Ammar Abo Bakr's Portrait of Hisham Rizq Wall Context: The King Is Back Pharaonism in Street Art Summary Chapter 5: Conclusion The Body Metanarrative and Metafictional Elements Looking Inward Spaces of Hope Notes Bibliography
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