Alan Mckinlay, Chris Smith

Creative Labour (eBook, PDF)

Working in the Creative Industries

• Format: PDF

Produktbeschreibung

Creative Labour provides an insight into the unique employment issues affecting workers in film, television, theatre, arts, music, radio and new media.

In the UK alone, more than 1 million people work in the creative industries, generating billions of pounds in exports each year. These workers have to contend with elastic working hours, employment and promotion uncertainty and vigorous competition for each role. Creative Labour offers a contemporary perspective on a fascinating area of study and a rapidly growing area in developed economies.

Key benefits:

- Grasp the realities of work behind the industry façade

- Evaluate real-life case-studies through a flexible, critical mindset

- Tailor your management decisions to the needs of creative staff

Produktdetails

• Verlag: Bloomsbury UK eBooks
• Seitenzahl: 288
• Erscheinungstermin: 29. Januar 2009
• Englisch
• ISBN-13: 9781137121738
• Artikelnr.: 62943697

Autorenporträt

ALAN MCKINLAY is Professor of Management at Heriott-Watt University, UK.

Inhaltsangabe

PART I: THEORY AND OVERVIEW.- Introduction: Labour Process Analysis and Creative Industries; C.Smith& A.McKinlay.- Creative Labour: Contract, Content and Control; C.Smith& A.McKinlay.- From Conception to Consumption: Creativity and the Missing Managerial Link; P.Thompson, M.Jones& C.Warhurst.- Working in the Creative Economy Risk, Adaptation, and the Persistence of Exclusionary Networks; S.Christopherson.- PART II: CREATIVE LABOUR AND PRACTICE.- Film, Theatre and Television.- Still a 'Perfect World for Capital'? K.Randle& N.Culkin.- I Don't Know Where You Learn Them: Skills in Film and TV; I.Grugulis& D.Stoyanova.- Bringing Creativity to Market: Actors as Self-Employed Employees; A.Haunschild& D.Eikhof.- Making 'The Bits Between the Adverts: Management, Collective Bargaining and Work in Commercial Television, 1979-2005; A.McKinlay& B.Quinn.- PART III: NEW MEDIA.- Situating New Media Production: San Francisco, 1995-2000; A.Pratt.- Beyond the Hype: Working in the German Internet Industry; N.Mayer-Ahuja& H.Wolf.- The Organisation of Creativity: Content, Contracts and Control in Swedish Interactive Media Production; F.Augustsson& Å.Sandberg.

PART I: THEORY AND OVERVIEW - Introduction: Labour Process Analysis and Creative Industries; C.Smith & A.McKinlay - Creative Labour: Contract, Content and Control; C.Smith & A.McKinlay - From Conception to Consumption: Creativity and the Missing Managerial Link; P.Thompson, M.Jones & C.Warhurst - Working in the Creative Economy Risk, Adaptation, and the Persistence of Exclusionary Networks; S.Christopherson - PART II: CREATIVE LABOUR AND PRACTICE - Film, Theatre and Television - Still a 'Perfect World for Capital'? K.Randle & N.Culkin - I Donbt Know Where You Learn Them: Skills in Film and TV; I.Grugulis & D.Stoyanova - Bringing Creativity to Market: Actors as Self-Employed Employees; A.Haunschild & D.Eikhof - Making bThe Bits Between the Adverts: Management, Collective Bargaining and Work in Commercial Television, 1979-2005; A.McKinlay & B.Quinn - PART III: NEW MEDIA - Situating New Media Production: San Francisco, 1995-2000; A.Pratt - Beyond the Hype: Working in the German Internet Industry; N.Mayer-Ahuja & H.Wolf - The Organisation of Creativity: Content, Contracts and Control in Swedish Interactive Media Production; F.Augustsson & C.Sandberg