Michael Hanchett Hanson
Creative Work and Distributions of Power (eBook, PDF)
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Michael Hanchett Hanson
Creative Work and Distributions of Power (eBook, PDF)
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Creative Work and Distributions of Power is a journey towards an energized and expanded space for considering power in discussions of creative work.
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Creative Work and Distributions of Power is a journey towards an energized and expanded space for considering power in discussions of creative work.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 268
- Erscheinungstermin: 10. Dezember 2024
- Englisch
- ISBN-13: 9781040253397
- Artikelnr.: 72280083
- Verlag: Taylor & Francis
- Seitenzahl: 268
- Erscheinungstermin: 10. Dezember 2024
- Englisch
- ISBN-13: 9781040253397
- Artikelnr.: 72280083
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Michael Hanchett Hanson is a developmental psychologist; Director of the Masters Concentration in Creativity and Cognition at Teachers College, Columbia University, USA; a founding board member and Secretary of the International Society for the Study of Creativity and Innovation (ISSCI); a member of the Chair Homo Creativus, Université de Paris Cité, and President of Contexts R+D, a research and consulting practice.
Section 1: Launch 1. Metalogue: What are we doing here? 2. Metalogue: Do we need a map? 3. Metalogue: What do we mean by "participation"? Section 2: Toward an Ecological Epistemology 4. Introduction: Gregory Bateson 5. Gregory Bateson: The art of science 6. Metalogue: Wait! Did he say free will is a rat in a maze? 7. Metalogue: Is purpose good or bad? 8. Dolphins
Context
and Creative Power 9. Metalogue: Do we need this ladder? Section 3: Through Enchanted Mountains of Theory 10. Introduction: Power Theories and Their Metaphors 11. Budgets
Economies
and Ecologies 12. Investments
Games
and Fields 13. Metalogue: What field is this? 14. Enchanted and Haunted Fields 15. A Mediation Model of Purpose and Power 2.0 16. Metalogue: Why not "mind"? Section 4: Sojourn in a Land of Semiotic Disruption 17. Introduction: Tyler
The Creator 18. Tyler
The Creator: The Local Creative Eco-system 19. Tyler
The Creator: Audiences
Contexts
and Controversies 20. The Artist as Young Ironist 21. Metalogue: Are we studying
genius
perfect storms
or collusion with the world? Section 5: Return 22. Metalogue: What did we do here? 23. Freedom
Power
and Work 24. Invitation
Context
and Creative Power 9. Metalogue: Do we need this ladder? Section 3: Through Enchanted Mountains of Theory 10. Introduction: Power Theories and Their Metaphors 11. Budgets
Economies
and Ecologies 12. Investments
Games
and Fields 13. Metalogue: What field is this? 14. Enchanted and Haunted Fields 15. A Mediation Model of Purpose and Power 2.0 16. Metalogue: Why not "mind"? Section 4: Sojourn in a Land of Semiotic Disruption 17. Introduction: Tyler
The Creator 18. Tyler
The Creator: The Local Creative Eco-system 19. Tyler
The Creator: Audiences
Contexts
and Controversies 20. The Artist as Young Ironist 21. Metalogue: Are we studying
genius
perfect storms
or collusion with the world? Section 5: Return 22. Metalogue: What did we do here? 23. Freedom
Power
and Work 24. Invitation
Section 1: Launch 1. Metalogue: What are we doing here? 2. Metalogue: Do we need a map? 3. Metalogue: What do we mean by "participation"? Section 2: Toward an Ecological Epistemology 4. Introduction: Gregory Bateson 5. Gregory Bateson: The art of science 6. Metalogue: Wait! Did he say free will is a rat in a maze? 7. Metalogue: Is purpose good or bad? 8. Dolphins
Context
and Creative Power 9. Metalogue: Do we need this ladder? Section 3: Through Enchanted Mountains of Theory 10. Introduction: Power Theories and Their Metaphors 11. Budgets
Economies
and Ecologies 12. Investments
Games
and Fields 13. Metalogue: What field is this? 14. Enchanted and Haunted Fields 15. A Mediation Model of Purpose and Power 2.0 16. Metalogue: Why not "mind"? Section 4: Sojourn in a Land of Semiotic Disruption 17. Introduction: Tyler
The Creator 18. Tyler
The Creator: The Local Creative Eco-system 19. Tyler
The Creator: Audiences
Contexts
and Controversies 20. The Artist as Young Ironist 21. Metalogue: Are we studying
genius
perfect storms
or collusion with the world? Section 5: Return 22. Metalogue: What did we do here? 23. Freedom
Power
and Work 24. Invitation
Context
and Creative Power 9. Metalogue: Do we need this ladder? Section 3: Through Enchanted Mountains of Theory 10. Introduction: Power Theories and Their Metaphors 11. Budgets
Economies
and Ecologies 12. Investments
Games
and Fields 13. Metalogue: What field is this? 14. Enchanted and Haunted Fields 15. A Mediation Model of Purpose and Power 2.0 16. Metalogue: Why not "mind"? Section 4: Sojourn in a Land of Semiotic Disruption 17. Introduction: Tyler
The Creator 18. Tyler
The Creator: The Local Creative Eco-system 19. Tyler
The Creator: Audiences
Contexts
and Controversies 20. The Artist as Young Ironist 21. Metalogue: Are we studying
genius
perfect storms
or collusion with the world? Section 5: Return 22. Metalogue: What did we do here? 23. Freedom
Power
and Work 24. Invitation