Charlotte Beyer
Crime Fiction in the Age of #MeToo (eBook, ePUB)
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Charlotte Beyer
Crime Fiction in the Age of #MeToo (eBook, ePUB)
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Informed by fourth-wave feminism, Crime Fiction in the Age of #MeToo presents a compelling and timely reading of crime fiction in the age of #MeToo.
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Informed by fourth-wave feminism, Crime Fiction in the Age of #MeToo presents a compelling and timely reading of crime fiction in the age of #MeToo.
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Produktdetails
- Produktdetails
- Verlag: Anthem Press
- Seitenzahl: 192
- Erscheinungstermin: 12. November 2024
- Englisch
- ISBN-13: 9781785278570
- Artikelnr.: 63388412
- Verlag: Anthem Press
- Seitenzahl: 192
- Erscheinungstermin: 12. November 2024
- Englisch
- ISBN-13: 9781785278570
- Artikelnr.: 63388412
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Charlotte Beyer is Senior Lecturer in English Studies at University of Gloucestershire, UK. She is a crime fiction specialist and has published widely on contemporary literature, feminism, and pedagogy.
Chapter 1: Reading Crime Fiction Through Fourth-Wave Feminism and #MeToo; Chapter 2: #MeToo in Josephine Tey's The Franchise Affair
Lauren Henderson's "MeToo
" Susan White's Cut
and Jennifer Haigh's Mercy Street; Chapter 3: Rape Culture in Maj Sjöwall and Per Wahlöö's Roseanna
Allison Leotta's The Last Good Girl
Y. A. Erskine's The Betrayal
and Heather Fitt's Open Your Eyes; Chapter 4: Toxic Masculinity in Agatha Christie's A Caribbean Mystery
John Harvey's "Yesterdays
" Dorothy Koomson's The Brighton Mermaid
and Pekka Hiltunen's "Jenkem"; Chapter 5: LGBTQ+ Representation in Raymond Chandler's The Big Sleep
Nekesa Afia's Dead Dead Girls
Michael Nava's Lies With Man
and Stella Duffy's Fresh Flesh; Chapter 6: Transgender in Val McDermid's The Mermaids Singing
Alex Reeve's The House on Half Moon Street
V. T. Davy's Black Art
and Dharma Kelleher's TERF Wars; Conclusion: #MeToo and Crime Fiction
Lauren Henderson's "MeToo
" Susan White's Cut
and Jennifer Haigh's Mercy Street; Chapter 3: Rape Culture in Maj Sjöwall and Per Wahlöö's Roseanna
Allison Leotta's The Last Good Girl
Y. A. Erskine's The Betrayal
and Heather Fitt's Open Your Eyes; Chapter 4: Toxic Masculinity in Agatha Christie's A Caribbean Mystery
John Harvey's "Yesterdays
" Dorothy Koomson's The Brighton Mermaid
and Pekka Hiltunen's "Jenkem"; Chapter 5: LGBTQ+ Representation in Raymond Chandler's The Big Sleep
Nekesa Afia's Dead Dead Girls
Michael Nava's Lies With Man
and Stella Duffy's Fresh Flesh; Chapter 6: Transgender in Val McDermid's The Mermaids Singing
Alex Reeve's The House on Half Moon Street
V. T. Davy's Black Art
and Dharma Kelleher's TERF Wars; Conclusion: #MeToo and Crime Fiction
Chapter 1: Reading Crime Fiction Through Fourth-Wave Feminism and #MeToo; Chapter 2: #MeToo in Josephine Tey's The Franchise Affair
Lauren Henderson's "MeToo
" Susan White's Cut
and Jennifer Haigh's Mercy Street; Chapter 3: Rape Culture in Maj Sjöwall and Per Wahlöö's Roseanna
Allison Leotta's The Last Good Girl
Y. A. Erskine's The Betrayal
and Heather Fitt's Open Your Eyes; Chapter 4: Toxic Masculinity in Agatha Christie's A Caribbean Mystery
John Harvey's "Yesterdays
" Dorothy Koomson's The Brighton Mermaid
and Pekka Hiltunen's "Jenkem"; Chapter 5: LGBTQ+ Representation in Raymond Chandler's The Big Sleep
Nekesa Afia's Dead Dead Girls
Michael Nava's Lies With Man
and Stella Duffy's Fresh Flesh; Chapter 6: Transgender in Val McDermid's The Mermaids Singing
Alex Reeve's The House on Half Moon Street
V. T. Davy's Black Art
and Dharma Kelleher's TERF Wars; Conclusion: #MeToo and Crime Fiction
Lauren Henderson's "MeToo
" Susan White's Cut
and Jennifer Haigh's Mercy Street; Chapter 3: Rape Culture in Maj Sjöwall and Per Wahlöö's Roseanna
Allison Leotta's The Last Good Girl
Y. A. Erskine's The Betrayal
and Heather Fitt's Open Your Eyes; Chapter 4: Toxic Masculinity in Agatha Christie's A Caribbean Mystery
John Harvey's "Yesterdays
" Dorothy Koomson's The Brighton Mermaid
and Pekka Hiltunen's "Jenkem"; Chapter 5: LGBTQ+ Representation in Raymond Chandler's The Big Sleep
Nekesa Afia's Dead Dead Girls
Michael Nava's Lies With Man
and Stella Duffy's Fresh Flesh; Chapter 6: Transgender in Val McDermid's The Mermaids Singing
Alex Reeve's The House on Half Moon Street
V. T. Davy's Black Art
and Dharma Kelleher's TERF Wars; Conclusion: #MeToo and Crime Fiction