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First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
- Geräte: eReader
- mit Kopierschutz
- eBook Hilfe
- Größe: 83.01MB
First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 504
- Erscheinungstermin: 23. März 2016
- Englisch
- ISBN-13: 9781134384259
- Artikelnr.: 44870801
- Verlag: Taylor & Francis
- Seitenzahl: 504
- Erscheinungstermin: 23. März 2016
- Englisch
- ISBN-13: 9781134384259
- Artikelnr.: 44870801
J. Knowles
Principal Publications of Paul Brainard; Some Considerations of the Sources
of Cristobal Galan's Music; The Speaking Body: Gaspero Angiolini's
Rhetorique Muette and the Ballet d'Action in the Eighteenth Century;
Costanzo Festa's lnviolata, integra et casta es Maria: a Double Homage
Motet; Bach, Theology, and Harmony: A New Look at the Arias; The Symphony
and the Artist's Creed: Camille Saint-Saens and His Third Symphony; The
Letter as Convention in Seventeenth-Century Venetian Opera; Poetic and
Musical Forms in the Laude of Innocenti us Dammonis; Melody and Motive in
Schenker's Earliest Writings; Twins, Cousins, and Heirs: Relationships
among Editions of Music Printed in Sixteenth-Century Venice; Rhetoric,
Rhythm, and Harmony as Keys to Schlitz's Saul, Saul, was verfolgst du mich?
Bach's tempo ordinaria: A Plaine and Easie Introduction to the System;
Amorous Dialogues: Poetic Topos and Polyphonic Texture in Some Polytextual
Songs of the Late Middle Ages; The Violins in Bach's St. John Passion;
French Opera in Transition: Silvie ( 1765) by Trial and Berton; Kindling
the Compositional Fire: Haydn's Keyboard Phantasiren; When Sources Seem to
Fail: The Clarinet Parts in Mozart's K. 581 and K. 622; From Madrigal to
Toccata: Frescobaldi and the Seconda Prattica; Beethoven and Shakespeare;
Tenors Lost and Found: The Reconstruction of Motets in Two Medieval
Chansonniers
of Cristobal Galan's Music; The Speaking Body: Gaspero Angiolini's
Rhetorique Muette and the Ballet d'Action in the Eighteenth Century;
Costanzo Festa's lnviolata, integra et casta es Maria: a Double Homage
Motet; Bach, Theology, and Harmony: A New Look at the Arias; The Symphony
and the Artist's Creed: Camille Saint-Saens and His Third Symphony; The
Letter as Convention in Seventeenth-Century Venetian Opera; Poetic and
Musical Forms in the Laude of Innocenti us Dammonis; Melody and Motive in
Schenker's Earliest Writings; Twins, Cousins, and Heirs: Relationships
among Editions of Music Printed in Sixteenth-Century Venice; Rhetoric,
Rhythm, and Harmony as Keys to Schlitz's Saul, Saul, was verfolgst du mich?
Bach's tempo ordinaria: A Plaine and Easie Introduction to the System;
Amorous Dialogues: Poetic Topos and Polyphonic Texture in Some Polytextual
Songs of the Late Middle Ages; The Violins in Bach's St. John Passion;
French Opera in Transition: Silvie ( 1765) by Trial and Berton; Kindling
the Compositional Fire: Haydn's Keyboard Phantasiren; When Sources Seem to
Fail: The Clarinet Parts in Mozart's K. 581 and K. 622; From Madrigal to
Toccata: Frescobaldi and the Seconda Prattica; Beethoven and Shakespeare;
Tenors Lost and Found: The Reconstruction of Motets in Two Medieval
Chansonniers
Principal Publications of Paul Brainard; Some Considerations of the Sources
of Cristobal Galan's Music; The Speaking Body: Gaspero Angiolini's
Rhetorique Muette and the Ballet d'Action in the Eighteenth Century;
Costanzo Festa's lnviolata, integra et casta es Maria: a Double Homage
Motet; Bach, Theology, and Harmony: A New Look at the Arias; The Symphony
and the Artist's Creed: Camille Saint-Saens and His Third Symphony; The
Letter as Convention in Seventeenth-Century Venetian Opera; Poetic and
Musical Forms in the Laude of Innocenti us Dammonis; Melody and Motive in
Schenker's Earliest Writings; Twins, Cousins, and Heirs: Relationships
among Editions of Music Printed in Sixteenth-Century Venice; Rhetoric,
Rhythm, and Harmony as Keys to Schlitz's Saul, Saul, was verfolgst du mich?
Bach's tempo ordinaria: A Plaine and Easie Introduction to the System;
Amorous Dialogues: Poetic Topos and Polyphonic Texture in Some Polytextual
Songs of the Late Middle Ages; The Violins in Bach's St. John Passion;
French Opera in Transition: Silvie ( 1765) by Trial and Berton; Kindling
the Compositional Fire: Haydn's Keyboard Phantasiren; When Sources Seem to
Fail: The Clarinet Parts in Mozart's K. 581 and K. 622; From Madrigal to
Toccata: Frescobaldi and the Seconda Prattica; Beethoven and Shakespeare;
Tenors Lost and Found: The Reconstruction of Motets in Two Medieval
Chansonniers
of Cristobal Galan's Music; The Speaking Body: Gaspero Angiolini's
Rhetorique Muette and the Ballet d'Action in the Eighteenth Century;
Costanzo Festa's lnviolata, integra et casta es Maria: a Double Homage
Motet; Bach, Theology, and Harmony: A New Look at the Arias; The Symphony
and the Artist's Creed: Camille Saint-Saens and His Third Symphony; The
Letter as Convention in Seventeenth-Century Venetian Opera; Poetic and
Musical Forms in the Laude of Innocenti us Dammonis; Melody and Motive in
Schenker's Earliest Writings; Twins, Cousins, and Heirs: Relationships
among Editions of Music Printed in Sixteenth-Century Venice; Rhetoric,
Rhythm, and Harmony as Keys to Schlitz's Saul, Saul, was verfolgst du mich?
Bach's tempo ordinaria: A Plaine and Easie Introduction to the System;
Amorous Dialogues: Poetic Topos and Polyphonic Texture in Some Polytextual
Songs of the Late Middle Ages; The Violins in Bach's St. John Passion;
French Opera in Transition: Silvie ( 1765) by Trial and Berton; Kindling
the Compositional Fire: Haydn's Keyboard Phantasiren; When Sources Seem to
Fail: The Clarinet Parts in Mozart's K. 581 and K. 622; From Madrigal to
Toccata: Frescobaldi and the Seconda Prattica; Beethoven and Shakespeare;
Tenors Lost and Found: The Reconstruction of Motets in Two Medieval
Chansonniers