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An anthology of essays on different critical approaches and methodologies for the analysis and interpretation of American art and artists. The book contains 20 selections from academic journals on American art from colonial times to 1940.
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An anthology of essays on different critical approaches and methodologies for the analysis and interpretation of American art and artists. The book contains 20 selections from academic journals on American art from colonial times to 1940.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 340
- Erscheinungstermin: 12. Februar 2018
- Englisch
- ISBN-13: 9780429969751
- Artikelnr.: 54168620
- Verlag: Taylor & Francis
- Seitenzahl: 340
- Erscheinungstermin: 12. Februar 2018
- Englisch
- ISBN-13: 9780429969751
- Artikelnr.: 54168620
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Mary Ann Calo
* Coming of Age: Historical Scholarship in American Art Wanda M. Corn. *
Reading Eighteenth-Century American Family Portraits: Social Images and
Self-Images Margaretta M. Lovell. * Ariadne and the Indians: Vanderlyns
Neoclassical Princess, Racial Seduction, and the Melodrama of Abandonment
David M. Lubin. * Thomas Cole and Jacksonian America: The Course of Empire
as Political Allegory Angela Miller. * George Caleb Binghams The County
Election: Whig Tribute to the Will of the People Gail E. Husch. * Two
Sculptures for the Capitol: Horatio Greenoughs Rescue and Luigi Persicos
Discovery of America Vivien Green Fryd. * American Folk Art: Questions and
Quandaries John Michael Vlach. * New Mexican Santos and the Preservation of
Religious Traditions William Wroth. * Albums of War: On Reading Civil War
Photographs Alan Trachtenberg. * Trapper, Hunter, and Woodsman: Winslow
Homers Adirondack Figure David Tatham. * Thomas Eakins and Pure Art
Education Elizabeth Johns. * The Earnest, Untiring Worker and the Magician
of the Brush: Gender Politics in the Criticism of Cecilia Beaux and John
Singer Sargent Sarah Burns. * Lifting the Veil: Henry O. Tanners The Banjo
Lesson and The Thankful Poor Judith Wilson. * Columbus and Columbia in
Chicago, 1893: Man of Genius Meets Generic Woman Judy Sund. * George
Bellows Stag at Sharkeys: Boxing, Violence, and Male Identity Robert E.
Haywood. * American Art and National Identity: The 1920s Matthew Baigell. *
Who Will Paint New York? The Worlds Art Center and the New York Paintings
of Georgia OKeeffe Anna C. Chave. * In My Family of Primitiveness and
Tradition: William H. Johnsons Jesus and the Three Marys Richard J. Powell.
* Images of American Women in the 1930s: Reginald Marsh and Paramount
Picture Erika L. Doss. * Florine Stettheimer: Rococo Subversive Linda
Nochlin.
Reading Eighteenth-Century American Family Portraits: Social Images and
Self-Images Margaretta M. Lovell. * Ariadne and the Indians: Vanderlyns
Neoclassical Princess, Racial Seduction, and the Melodrama of Abandonment
David M. Lubin. * Thomas Cole and Jacksonian America: The Course of Empire
as Political Allegory Angela Miller. * George Caleb Binghams The County
Election: Whig Tribute to the Will of the People Gail E. Husch. * Two
Sculptures for the Capitol: Horatio Greenoughs Rescue and Luigi Persicos
Discovery of America Vivien Green Fryd. * American Folk Art: Questions and
Quandaries John Michael Vlach. * New Mexican Santos and the Preservation of
Religious Traditions William Wroth. * Albums of War: On Reading Civil War
Photographs Alan Trachtenberg. * Trapper, Hunter, and Woodsman: Winslow
Homers Adirondack Figure David Tatham. * Thomas Eakins and Pure Art
Education Elizabeth Johns. * The Earnest, Untiring Worker and the Magician
of the Brush: Gender Politics in the Criticism of Cecilia Beaux and John
Singer Sargent Sarah Burns. * Lifting the Veil: Henry O. Tanners The Banjo
Lesson and The Thankful Poor Judith Wilson. * Columbus and Columbia in
Chicago, 1893: Man of Genius Meets Generic Woman Judy Sund. * George
Bellows Stag at Sharkeys: Boxing, Violence, and Male Identity Robert E.
Haywood. * American Art and National Identity: The 1920s Matthew Baigell. *
Who Will Paint New York? The Worlds Art Center and the New York Paintings
of Georgia OKeeffe Anna C. Chave. * In My Family of Primitiveness and
Tradition: William H. Johnsons Jesus and the Three Marys Richard J. Powell.
* Images of American Women in the 1930s: Reginald Marsh and Paramount
Picture Erika L. Doss. * Florine Stettheimer: Rococo Subversive Linda
Nochlin.
* Coming of Age: Historical Scholarship in American Art Wanda M. Corn. *
Reading Eighteenth-Century American Family Portraits: Social Images and
Self-Images Margaretta M. Lovell. * Ariadne and the Indians: Vanderlyns
Neoclassical Princess, Racial Seduction, and the Melodrama of Abandonment
David M. Lubin. * Thomas Cole and Jacksonian America: The Course of Empire
as Political Allegory Angela Miller. * George Caleb Binghams The County
Election: Whig Tribute to the Will of the People Gail E. Husch. * Two
Sculptures for the Capitol: Horatio Greenoughs Rescue and Luigi Persicos
Discovery of America Vivien Green Fryd. * American Folk Art: Questions and
Quandaries John Michael Vlach. * New Mexican Santos and the Preservation of
Religious Traditions William Wroth. * Albums of War: On Reading Civil War
Photographs Alan Trachtenberg. * Trapper, Hunter, and Woodsman: Winslow
Homers Adirondack Figure David Tatham. * Thomas Eakins and Pure Art
Education Elizabeth Johns. * The Earnest, Untiring Worker and the Magician
of the Brush: Gender Politics in the Criticism of Cecilia Beaux and John
Singer Sargent Sarah Burns. * Lifting the Veil: Henry O. Tanners The Banjo
Lesson and The Thankful Poor Judith Wilson. * Columbus and Columbia in
Chicago, 1893: Man of Genius Meets Generic Woman Judy Sund. * George
Bellows Stag at Sharkeys: Boxing, Violence, and Male Identity Robert E.
Haywood. * American Art and National Identity: The 1920s Matthew Baigell. *
Who Will Paint New York? The Worlds Art Center and the New York Paintings
of Georgia OKeeffe Anna C. Chave. * In My Family of Primitiveness and
Tradition: William H. Johnsons Jesus and the Three Marys Richard J. Powell.
* Images of American Women in the 1930s: Reginald Marsh and Paramount
Picture Erika L. Doss. * Florine Stettheimer: Rococo Subversive Linda
Nochlin.
Reading Eighteenth-Century American Family Portraits: Social Images and
Self-Images Margaretta M. Lovell. * Ariadne and the Indians: Vanderlyns
Neoclassical Princess, Racial Seduction, and the Melodrama of Abandonment
David M. Lubin. * Thomas Cole and Jacksonian America: The Course of Empire
as Political Allegory Angela Miller. * George Caleb Binghams The County
Election: Whig Tribute to the Will of the People Gail E. Husch. * Two
Sculptures for the Capitol: Horatio Greenoughs Rescue and Luigi Persicos
Discovery of America Vivien Green Fryd. * American Folk Art: Questions and
Quandaries John Michael Vlach. * New Mexican Santos and the Preservation of
Religious Traditions William Wroth. * Albums of War: On Reading Civil War
Photographs Alan Trachtenberg. * Trapper, Hunter, and Woodsman: Winslow
Homers Adirondack Figure David Tatham. * Thomas Eakins and Pure Art
Education Elizabeth Johns. * The Earnest, Untiring Worker and the Magician
of the Brush: Gender Politics in the Criticism of Cecilia Beaux and John
Singer Sargent Sarah Burns. * Lifting the Veil: Henry O. Tanners The Banjo
Lesson and The Thankful Poor Judith Wilson. * Columbus and Columbia in
Chicago, 1893: Man of Genius Meets Generic Woman Judy Sund. * George
Bellows Stag at Sharkeys: Boxing, Violence, and Male Identity Robert E.
Haywood. * American Art and National Identity: The 1920s Matthew Baigell. *
Who Will Paint New York? The Worlds Art Center and the New York Paintings
of Georgia OKeeffe Anna C. Chave. * In My Family of Primitiveness and
Tradition: William H. Johnsons Jesus and the Three Marys Richard J. Powell.
* Images of American Women in the 1930s: Reginald Marsh and Paramount
Picture Erika L. Doss. * Florine Stettheimer: Rococo Subversive Linda
Nochlin.