Critical Musicological Reflections (eBook, ePUB)

Essays in Honour of Derek B. Scott
Redaktion: Hawkins, Stan

• Format: ePub

Produktbeschreibung

Setting out to address a range of approaches to theorizing music and promulgating modes of analysis across a wide range of repertories, the essays in this collection can be read as a coming of age of critical musicology through its active dialogue with other disciplines such as sociology, feminism, ethnomusicology, history, anthropology, philosophy, cultural studies, aesthetics, media studies, film music studies, and gender studies. The volume provides music researchers and graduate students with an up to date authoritative reference to all matters dealing with the state of critical musicology today.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 288
• Erscheinungstermin: 22. April 2016
• Englisch
• ISBN-13: 9781317157175
• Artikelnr.: 49335805

Autorenporträt

Stan Hawkins is Professor of Musicology at the University of Oslo, Norway and adjunct professor at the University of Agder, Kristiansand, Norway. He is author of Settling the Pop Score (2002), The British Pop Dandy (2009), co-author of Prince: The Making of a Pop Music Phenomenon (2011), editor of Pop Music and Easy Listening (2011), and co-editor of Music, Space and Place (2005) (all published by Ashgate) and Essays on Sound and Vision (2007).

Inhaltsangabe

Festschrift; List of Publications by Derek Scott; Great
Scott!
Stan Hawkins; Evidence of things not seen: history
subjectivities
music
Susan McClary; Musical identities
learning and education: some cross-cultural issues
Lucy Green; Bela Bartok: reintegrating the semantic and syntactic axes in Duke Bluebeard's Castle
David Cooper; Amusing the cultivated classes and cultivating the masses: changes in concert repertoires in 19th-century Helsinki
Vesa Kurkela; From schizophonia to paraphonia: on the cultural matrix of digitally generated pop-sounds
Peter Wicke; Material culture and decentred selfhood (socio-visual typologies of musical excess)
Richard Leppert; 'As fast as one possibly can...': virtuosity
a truth of musical performance?
Antoine Hennion; On music criticism and affect: two cases of the disaffected acoustic imaginary
John Richardson; The development of Bob Dylan's rhythmic sense: 'the times they were a'changin' (1958-1964)
Charles Ford; How genres are born
change
die: conventions
communities and diachronic processes
Franco Fabbri; Anatomy of the encounter: intercultural analysis as relational musicology
Nicholas Cook; One way of feeling: contextualizing a hermeneutics of spatialization
Allan F. Moore; The virtuoso body
or
the two births of musical performance
Lawrence Kramer; Epilogue
Sheila Whiteley; Index.