Crosscurrents in Australian First Nations and Non-Indigenous Art (eBook, PDF)

Redaktion: Scott, Sarah; Jordan, Caroline; Mcdonald, Helen

• Format: PDF

Produktbeschreibung

This edited collection examines art resulting from cross-cultural interactions between Australian First Nations and non-Indigenous people, from the British invasion to today.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 230
• Erscheinungstermin: 11. August 2023
• Englisch
• ISBN-13: 9781000924732
• Artikelnr.: 68291852

Autorenporträt

Sarah Scott is a lecturer at the Centre for Art History and Art Theory, School of Art and Design, College of Arts and Social Sciences, Australian National University, Canberra, Australia. She writes on non-Indigenous engagement with First Nations art and culture, art patronage, and the representation of Australian art overseas. Helen McDonald is an art historian and an associate of the University of Melbourne, Australia. She is the author of Erotic Ambiguities: The Female Nude in Art (2001) and Patricia Piccinini: Nearly Beloved (2012). Her recent research focuses on Australian rock art and art about climate change. Caroline Jordan is an art historian and adjunct honorary research officer, School of Humanities and Social Sciences in La Trobe University, Australia. She is the author of Picturesque Pursuits: Colonial Women Artists and the Amateur Tradition (2005) and recent articles in Australian Historical Studies and Gender and History.

Inhaltsangabe

Introduction
1. The Weight of Grief - Maree Clarke and Khadija von Zinnenburg Carroll on
Artist-centricity
2. On Working as an Aboriginal Museum Director and Curator of the Berndt
Museum
3. Price and Provenance: William Barak as an Artist in the Market
4. The Duplicity of Emus and Kangaroos: Coats of Arms from the Australian
Frontier
5. The Toa of the Dieri
6. 'The Arts are where Cultures Meet': A Cross-cultural Analysis of
Aboriginal Art in Fashion and Textile Design
7. Aesthetically Similar but Politically Far Apart: The Art and Designs of
Bill Onus and Byram Mansell during the Assimilationist Era
8. Shared Motives: New Art and Curatorial Collaborations in the 1980s
9. Decolonisation and Conceptual Art: Collaboration, Appropriation,
Transculturation
Ian McLean
10. Widening the Aperture: Cross-cultural Collaboration - A Perspective
from Borroloola
11. Wrecking Culture: Australian Iconoclash 2020