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Excerpt: The best picture I know of my religion is Ludgate Hill as one sees it going down the foot of Fleet Street. It would seem to many perhaps like a rather strange half-heathen altar, but it has in it the three things with which I worship most my Maker in this present world-the three things which it would be the breath of religion to me to offer to a God together-Cathedrals, Crowds, and Machines. With the railway bridge reaching over, all the little still locomotives in the din whispering across the street with the wide black crowd streaming up and streaming down, and the big, faraway,…mehr

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Produktbeschreibung
Excerpt: The best picture I know of my religion is Ludgate Hill as one sees it going down the foot of Fleet Street. It would seem to many perhaps like a rather strange half-heathen altar, but it has in it the three things with which I worship most my Maker in this present world-the three things which it would be the breath of religion to me to offer to a God together-Cathedrals, Crowds, and Machines. With the railway bridge reaching over, all the little still locomotives in the din whispering across the street with the wide black crowd streaming up and streaming down, and the big, faraway, other-worldly church above, I am strangely glad. It is like having a picture of one's whole world taken up deftly, and done in miniature and hung up for one against the sky-the white steam which is the breath of modern life, the vast hurrying of our feet, and that Great Finger pointing toward heaven day and night for us all.... I never tire of walking out a moment from my nook in Clifford's Inn and stealing a glimpse and coming back to my fireplace. I sit still a moment before going to work and look in the flames and think.

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Autorenporträt
Gerald Stanley Lee (1862-1944) was an American Congregational clergyman, editor, and prolific author, renowned for his astute insights into the burgeoning industrial society of the early 20th century. Lee was born in Lee, Massachusetts, and grew up with a deep affinity for literature and theology. His educational background included stints at Yale and Harvard, which honed his intellectual prowess and laid the groundwork for his later writing career. Lee's oeuvre is notable for its reflective consideration of the individual's place within the crowd, a theme he eloquently explores in his seminal work, 'Crowds' (1913). In this text, he delves into the psychology and sociological aspects of crowds in the modern age, a pioneering approach that predated later theories of mass society. A skillful essayist, Lee's literary style combines philosophical musings with a palpable concern for the evolving dynamics of human interaction in the face of technological advancement. His writings encapsulate the hopes and anxieties of a society on the cusp of transformative change, making them as relevant today as they were at the time of publication. Lee's legacy is that of an insightful observer of the human condition, a writer who captured the zeitgeist of his era with candor and intellectual depth.