Celia Lury establishes a clear framework of analysis by comparing a range of cultural rights through copyright, authorship and originality with those defined by trademark, branding and simulation. She provides concise and accessible histories of three major cultural technologies--print, broadcasting and information technology--and the presentation of research into the contemporary culture industry. She also explores the gendered dimensions of this transformation by looking at the significance of the category of "women" in the process of cultural reproduction.
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