Curating Access (eBook, PDF)
Disability Art Activism and Creative Accommodation
Redaktion: Cachia, Amanda
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Curating Access (eBook, PDF)
Disability Art Activism and Creative Accommodation
Redaktion: Cachia, Amanda
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This book is an interdisciplinary collection of twenty-four essays which critically examine contemporary exhibitions and artistic practices that focus on conceptual and creative aspects of access.
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This book is an interdisciplinary collection of twenty-four essays which critically examine contemporary exhibitions and artistic practices that focus on conceptual and creative aspects of access.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 332
- Erscheinungstermin: 14. September 2022
- Englisch
- ISBN-13: 9781000648171
- Artikelnr.: 64436493
- Verlag: Taylor & Francis
- Seitenzahl: 332
- Erscheinungstermin: 14. September 2022
- Englisch
- ISBN-13: 9781000648171
- Artikelnr.: 64436493
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Amanda Cachia is an independent curator and critic from Sydney, Australia. She received her PhD in Art History, Theory & Criticism from the University of California San Diego in 2017. Cachia has curated approximately 40 exhibitions, many of which contain social justice themes and content. Her research interests include contemporary art and disability, decolonizing the museum, and accessible curatorial practices.
Introduction: Committed to Change-Ten Years of Creative Access; Part I:
Curatorial Reflections in the Age of COVID-19: Chapter 1: The "Swell":
Disability Arts in the Time of COVID-19; Chapter 2: Becoming Indisposable:
Curating Disability in a Time of Pandemic; Chapter 3: Connect2Abilities:
Staging Virtual Intercultural Collaboration during COVID-19; Part II:
Curatorial Reflections: Chapter 4: Disabled Artists, Audience, and the
Museum as the Place of Those Who Have No Part; Chapter 5: Generative Forms
of Experiential Access; Chapter 6: From Dust to Dust: Hallucinating the
Absent Exhibition; Chapter 7: Perspective: Highlighting Disabled Experience
through an Interdisciplinary and Socially Engaged Art Project; Chapter 8:
Unseen Journeys Made Visible: Using Socially Engaged Art to Cross
Boundaries and Create a Universally Enriching Experience; Chapter 9: Human
Threads: Altered States; Chapter 10: Incarnate Experiences: Learning to
Curate Exhibitions for Disabled Bodies; Part III: Access Critique: Chapter
11: On Brand: When Design Museums Discover Disability; Chapter 12:
Accommodating and Enabling Anxiety Disorders and Agoraphobia in Digital
Access Systems for Cultural Heritage; Chapter 13: Do You Hear My Point?
Addressing Accessibility Issues within Spatial Audio; Part IV:
Collaboration & Conversation: Chapter 14: Codesigning Access: A New
Approach to Cultures of Inclusion in Museums and Galleries; Chapter 15:
Desiring Disruption: Experimental Approaches to Audio Description; Chapter
16: Curating Together: A Tangled, Intergenerational, Interdependent
Community of Practice; Chapter 17: Networks of Care: Collectivity as
Dialogic Creative Access; Part V: Artistic Access Praxis: Chapter 18:
Troublesome Access in Pope.L's Instigation, Aspiration, Perspiration;
Chapter 19: "My Practice is Staying Alive": Critique and Care in the
Sculptures of Emily Barker; Chapter 20: Considering Amanda Coogan's
Performance Art as an Accessible Practice; Chapter 21: Open Access:
Accessibility as a Temporary, Collectively Held Space; Chapter 22: Alt Text
as Poetry Project; Chapter 23: Disability Access Rider; Chapter 24: A
Primer On Working With Disabled Group Members: For Feminist/Activist Groups
and Organizations; Index.
Curatorial Reflections in the Age of COVID-19: Chapter 1: The "Swell":
Disability Arts in the Time of COVID-19; Chapter 2: Becoming Indisposable:
Curating Disability in a Time of Pandemic; Chapter 3: Connect2Abilities:
Staging Virtual Intercultural Collaboration during COVID-19; Part II:
Curatorial Reflections: Chapter 4: Disabled Artists, Audience, and the
Museum as the Place of Those Who Have No Part; Chapter 5: Generative Forms
of Experiential Access; Chapter 6: From Dust to Dust: Hallucinating the
Absent Exhibition; Chapter 7: Perspective: Highlighting Disabled Experience
through an Interdisciplinary and Socially Engaged Art Project; Chapter 8:
Unseen Journeys Made Visible: Using Socially Engaged Art to Cross
Boundaries and Create a Universally Enriching Experience; Chapter 9: Human
Threads: Altered States; Chapter 10: Incarnate Experiences: Learning to
Curate Exhibitions for Disabled Bodies; Part III: Access Critique: Chapter
11: On Brand: When Design Museums Discover Disability; Chapter 12:
Accommodating and Enabling Anxiety Disorders and Agoraphobia in Digital
Access Systems for Cultural Heritage; Chapter 13: Do You Hear My Point?
Addressing Accessibility Issues within Spatial Audio; Part IV:
Collaboration & Conversation: Chapter 14: Codesigning Access: A New
Approach to Cultures of Inclusion in Museums and Galleries; Chapter 15:
Desiring Disruption: Experimental Approaches to Audio Description; Chapter
16: Curating Together: A Tangled, Intergenerational, Interdependent
Community of Practice; Chapter 17: Networks of Care: Collectivity as
Dialogic Creative Access; Part V: Artistic Access Praxis: Chapter 18:
Troublesome Access in Pope.L's Instigation, Aspiration, Perspiration;
Chapter 19: "My Practice is Staying Alive": Critique and Care in the
Sculptures of Emily Barker; Chapter 20: Considering Amanda Coogan's
Performance Art as an Accessible Practice; Chapter 21: Open Access:
Accessibility as a Temporary, Collectively Held Space; Chapter 22: Alt Text
as Poetry Project; Chapter 23: Disability Access Rider; Chapter 24: A
Primer On Working With Disabled Group Members: For Feminist/Activist Groups
and Organizations; Index.
Introduction: Committed to Change-Ten Years of Creative Access; Part I:
Curatorial Reflections in the Age of COVID-19: Chapter 1: The "Swell":
Disability Arts in the Time of COVID-19; Chapter 2: Becoming Indisposable:
Curating Disability in a Time of Pandemic; Chapter 3: Connect2Abilities:
Staging Virtual Intercultural Collaboration during COVID-19; Part II:
Curatorial Reflections: Chapter 4: Disabled Artists, Audience, and the
Museum as the Place of Those Who Have No Part; Chapter 5: Generative Forms
of Experiential Access; Chapter 6: From Dust to Dust: Hallucinating the
Absent Exhibition; Chapter 7: Perspective: Highlighting Disabled Experience
through an Interdisciplinary and Socially Engaged Art Project; Chapter 8:
Unseen Journeys Made Visible: Using Socially Engaged Art to Cross
Boundaries and Create a Universally Enriching Experience; Chapter 9: Human
Threads: Altered States; Chapter 10: Incarnate Experiences: Learning to
Curate Exhibitions for Disabled Bodies; Part III: Access Critique: Chapter
11: On Brand: When Design Museums Discover Disability; Chapter 12:
Accommodating and Enabling Anxiety Disorders and Agoraphobia in Digital
Access Systems for Cultural Heritage; Chapter 13: Do You Hear My Point?
Addressing Accessibility Issues within Spatial Audio; Part IV:
Collaboration & Conversation: Chapter 14: Codesigning Access: A New
Approach to Cultures of Inclusion in Museums and Galleries; Chapter 15:
Desiring Disruption: Experimental Approaches to Audio Description; Chapter
16: Curating Together: A Tangled, Intergenerational, Interdependent
Community of Practice; Chapter 17: Networks of Care: Collectivity as
Dialogic Creative Access; Part V: Artistic Access Praxis: Chapter 18:
Troublesome Access in Pope.L's Instigation, Aspiration, Perspiration;
Chapter 19: "My Practice is Staying Alive": Critique and Care in the
Sculptures of Emily Barker; Chapter 20: Considering Amanda Coogan's
Performance Art as an Accessible Practice; Chapter 21: Open Access:
Accessibility as a Temporary, Collectively Held Space; Chapter 22: Alt Text
as Poetry Project; Chapter 23: Disability Access Rider; Chapter 24: A
Primer On Working With Disabled Group Members: For Feminist/Activist Groups
and Organizations; Index.
Curatorial Reflections in the Age of COVID-19: Chapter 1: The "Swell":
Disability Arts in the Time of COVID-19; Chapter 2: Becoming Indisposable:
Curating Disability in a Time of Pandemic; Chapter 3: Connect2Abilities:
Staging Virtual Intercultural Collaboration during COVID-19; Part II:
Curatorial Reflections: Chapter 4: Disabled Artists, Audience, and the
Museum as the Place of Those Who Have No Part; Chapter 5: Generative Forms
of Experiential Access; Chapter 6: From Dust to Dust: Hallucinating the
Absent Exhibition; Chapter 7: Perspective: Highlighting Disabled Experience
through an Interdisciplinary and Socially Engaged Art Project; Chapter 8:
Unseen Journeys Made Visible: Using Socially Engaged Art to Cross
Boundaries and Create a Universally Enriching Experience; Chapter 9: Human
Threads: Altered States; Chapter 10: Incarnate Experiences: Learning to
Curate Exhibitions for Disabled Bodies; Part III: Access Critique: Chapter
11: On Brand: When Design Museums Discover Disability; Chapter 12:
Accommodating and Enabling Anxiety Disorders and Agoraphobia in Digital
Access Systems for Cultural Heritage; Chapter 13: Do You Hear My Point?
Addressing Accessibility Issues within Spatial Audio; Part IV:
Collaboration & Conversation: Chapter 14: Codesigning Access: A New
Approach to Cultures of Inclusion in Museums and Galleries; Chapter 15:
Desiring Disruption: Experimental Approaches to Audio Description; Chapter
16: Curating Together: A Tangled, Intergenerational, Interdependent
Community of Practice; Chapter 17: Networks of Care: Collectivity as
Dialogic Creative Access; Part V: Artistic Access Praxis: Chapter 18:
Troublesome Access in Pope.L's Instigation, Aspiration, Perspiration;
Chapter 19: "My Practice is Staying Alive": Critique and Care in the
Sculptures of Emily Barker; Chapter 20: Considering Amanda Coogan's
Performance Art as an Accessible Practice; Chapter 21: Open Access:
Accessibility as a Temporary, Collectively Held Space; Chapter 22: Alt Text
as Poetry Project; Chapter 23: Disability Access Rider; Chapter 24: A
Primer On Working With Disabled Group Members: For Feminist/Activist Groups
and Organizations; Index.