Curating Art (eBook, PDF)

Redaktion: Marstine, Janet; Hing Kay, Oscar Ho

• Format: PDF

Produktbeschreibung

Curating Art provides insight into some of the most socially and politically impactful curating of historical and contemporary art since the late 1990s. It offers up a museological framework for understanding watershed developments of curating in art museums.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 478
• Erscheinungstermin: 30. Dezember 2021
• Englisch
• ISBN-13: 9781317416661
• Artikelnr.: 63022781

Autorenporträt

Janet Marstine is Honorary Associate Professor of Museum Studies (retired), University of Leicester, and is now based in Maine in the US. She writes on diverse aspects of museum ethics from curatorial ethics to artists' interventions as drivers for ethical change and has a particular interest in recognising and supporting the agency of practitioners to make informed ethical decisions. Oscar Ho Hing Kay is Associate Professor of Practice and Director of the Master's Programme in Cultural Management at the Chinese University of Hong Kong. Formerly he was the exhibitions director of the Hong Kong Arts Centre and the founding director of the Museum of Contemporary Art, Shanghai.

Inhaltsangabe

1. Curating as a relational practice



Janet Marstine and Oscar Ho Hing Kay



Part I Expertise

Introduction to Part I



Janet Marstine

Groundwork



2. Curation is Spreading



Hajime Nariai



3. Who is HUO?

David Balzer



Connoisseurship



4. From connoisseurship to technical art history: the evolution of the interdisciplinary study of art

Maryan W. Ainsworth



Curatorial vision and institutional history



5. 'Electronic Refractions II' at the Studio Museum in Harlem

Susan E. Cahan

6. On quality: curators at the San Francisco Museum of Modern Art (1935-2010)



Richard Cándida-Smith





Provenance



7. Faked biographies: the remake of antiquities and their sale on the art market



Brigitta Hauser-Schäublin and Sophorn Kim



8. Renewing Nazi-era provenance research efforts: case studies and recommendations



Nancy Karrels





Exhibition-making and the canon



9. Aestheticized installations for modernism, ethnographic art and objects of everyday life [excerpt]

Mary Anne Staniszewski

10. Eloquent walls and argumentative spaces: displaying late works of Degas



Richard Kendall



11. Feminist perspectives on curating



Dorothee Richter





Linking past to present



12. The Battle over 'The West as America'

Alan Wallach

13. Curating contemporary art: narrating the past and reflecting on the individual and time



Vivian Ting Wing Yan



Part II Engagement

Introduction to Part II



Janet Marstine





Groundwork



14. Masterpieces and the critical museum



Katarzyna Murawska-Muthesius

The processes of cultural translation



15. From entangled objects to engaged subjects: knowledge translation and cultural heritage regeneration



Lea S. McChesney



16. The 'fourth world' theory in Wonil Rhee's curating: focusing on post-colonialism



Kim Sung-Ho

Artists as curators



17. The book in which we learn to read: contemporary artists and their place within historical museums



Jasper Sharp



18. Curatorial relationality

Beatrice von Bismarck

19. No good time for an exhibition: reflections on the Picasso in Palestine project, Part I

Michael Baers



Relational practice with publics



20. Other people's stories: bringing public-generated photography into the contemporary art museum



Areti Galani and Alexandra Moschovi



21. The unexpected guest: food and hospitality in contemporary Asian Art

Francis Maravillas



Negotiating the local and the global



22. The right to be wrong

Howard N. Fox

23. Homegrown: The origins of performance art in Myanmar

Nathalie Johnston

24. From object to subject: conceptualizing 'The Future of Tradition-The Tradition of Future'



Avinoam Shalem

Navigating the pressures of censorship



25. Encounters with censorship

Ng g wa Thiong'o

26. Art is not bioterrorism: the criminalization of critical cultural and intellectual production



Faith Wilding

Part III Platforms

Introduction to Part III



Janet Marstine

Groundwork



27. The roving eye: Southeast Asian art's plural views on self, culture and nation

Iola Lenzi

28. Experiments in integrated programming

Sally Tallant

29. The transmedia museum

Jenny Kidd

Blurring the boundaries between performance, programme and exhibition

30. 'The Play': reassembling African arts in the West'

Joshua I. Cohen

31. Museum for the people? Two joint projects for Haiti and Congo

Bogumil Jewsiewicki



Appropriating the apparatus of the institution



32. Trading Place: Museum of contemporary art

Kao Chien-Hui

33. Mockstitutions



Gregory Sholette





Curating interstitial spaces



34. Invading the medias: Selma and Sofiane Ouissi's 'Dream City'



Rachida Triki



35. Bishan Project: restarting the rural reconstruction movement

Ou Ning



New models of curating in a network culture



36. Reconfiguring curation: noninstitutional new media curating and the politics of cultural production

Patrick Lichty

37. The politics of contemporary curating: a network perspective

Joasia Krysa