Curating the Contemporary in the Art Museum (eBook, ePUB)
Redaktion: Hansen, Malene Vest; Handberg, Kristian
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Curating the Contemporary in the Art Museum (eBook, ePUB)
Redaktion: Hansen, Malene Vest; Handberg, Kristian
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Curating the Contemporary in the Art Museum investigates the art museum as a space where the contemporary is staged - in exhibitions, collecting practices, communication, and policies.
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Curating the Contemporary in the Art Museum investigates the art museum as a space where the contemporary is staged - in exhibitions, collecting practices, communication, and policies.
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Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 276
- Erscheinungstermin: 24. Februar 2023
- Englisch
- ISBN-13: 9781000841428
- Artikelnr.: 67310121
- Verlag: Taylor & Francis
- Seitenzahl: 276
- Erscheinungstermin: 24. Februar 2023
- Englisch
- ISBN-13: 9781000841428
- Artikelnr.: 67310121
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Malene Vest Hansen is Associate Professor in Art History in the Department of Arts and Cultural Studies, The University of Copenhagen. Contemporary art and critical curatorial and museum studies are her main research areas. Currently, she is PI of the research project Curating the Contemporary: An Exhibition History of the Museum of Modern Art as a new Bildung institution funded by the Danish Council for Independent Research. Kristian Handberg is Assistant Professor of Art History in the Department of Arts and Cultural Studies, The University of Copenhagen. He was a postdoc at SMK - National Gallery Denmark with the project Curating the Contemporary (2019-2020). He is coordinator of the research group Modernisms and researches exhibition histories of the postwar era and the contemporary musealization of modernism, currently through the research project Exhibiting Across the Iron Curtain.
Introduction: Curating the Contemporary in the Art Museum; Part 1: The
Curatorial Now: Performing the Museum; 1. Reform(ulat)ing Infrastructures -
Becoming Museum; 2. Dance, Performance and Social Media in the Postdigital
Museum; 3. After Institutions; 4. Munchmuseet on the Move and the role of
the Contemporary in the Art Museum; 5. Collaborative Curating: Questioning
Value Production in the Art Museum through the Project 7 Walks; Part 2:
Politics of Curating the Contemporary-Modern in the Art Museum; 6.
NowHere: The Curatorial Contemporary; 7. The Rise and Fall of a Nordic Art
Institution; 8. Torpedoes and Trees: Staging the Modern Art Collection at
the Moderna galerija, Ljubljana; 9. The Politics of Contemporary Art
Museums. Calouste Gulbenkian's Modern Collection in Lisbon; 10. What's
Happening? Feminism, the Contemporary, and Curating in the Art Museum; 11.
Contemporaneity as a Curatorial Approach: Black Models in New York, Paris
and Guadeloupe; Part 3: Mapping Exhibition Histories of the Contemporary;
12. In the Ruins of the Present: Arte Contemporanea at the Galleria
Nazionale in Rome, 1944-45; 13. Documenta's Chronopolitics of the
Contemporary, or Un/Curating Nazi Continuities in Werner Haftmann's
Historiographic Practice; 14. Moving the Museum towards the Contemporary?
Art in Motion (1961) as testing ground for the "new museum" in three
versions; 15. MacLeod: Curating Contrasts: Retrieving Solidarity from the
Archives; 16. Escape Attempts or Institutional Transformations? On Moderna
Museet's Information Center Project (1970-73) and the Filialen Experiments
(1971-73); 17. "That's why we call it a model" - Restaging Exhibitions and
Participation: Palle Nielsen's The Model: A Model for a Qualitative Society
, 1968/2014
Curatorial Now: Performing the Museum; 1. Reform(ulat)ing Infrastructures -
Becoming Museum; 2. Dance, Performance and Social Media in the Postdigital
Museum; 3. After Institutions; 4. Munchmuseet on the Move and the role of
the Contemporary in the Art Museum; 5. Collaborative Curating: Questioning
Value Production in the Art Museum through the Project 7 Walks; Part 2:
Politics of Curating the Contemporary-Modern in the Art Museum; 6.
NowHere: The Curatorial Contemporary; 7. The Rise and Fall of a Nordic Art
Institution; 8. Torpedoes and Trees: Staging the Modern Art Collection at
the Moderna galerija, Ljubljana; 9. The Politics of Contemporary Art
Museums. Calouste Gulbenkian's Modern Collection in Lisbon; 10. What's
Happening? Feminism, the Contemporary, and Curating in the Art Museum; 11.
Contemporaneity as a Curatorial Approach: Black Models in New York, Paris
and Guadeloupe; Part 3: Mapping Exhibition Histories of the Contemporary;
12. In the Ruins of the Present: Arte Contemporanea at the Galleria
Nazionale in Rome, 1944-45; 13. Documenta's Chronopolitics of the
Contemporary, or Un/Curating Nazi Continuities in Werner Haftmann's
Historiographic Practice; 14. Moving the Museum towards the Contemporary?
Art in Motion (1961) as testing ground for the "new museum" in three
versions; 15. MacLeod: Curating Contrasts: Retrieving Solidarity from the
Archives; 16. Escape Attempts or Institutional Transformations? On Moderna
Museet's Information Center Project (1970-73) and the Filialen Experiments
(1971-73); 17. "That's why we call it a model" - Restaging Exhibitions and
Participation: Palle Nielsen's The Model: A Model for a Qualitative Society
, 1968/2014
Introduction: Curating the Contemporary in the Art Museum; Part 1: The
Curatorial Now: Performing the Museum; 1. Reform(ulat)ing Infrastructures -
Becoming Museum; 2. Dance, Performance and Social Media in the Postdigital
Museum; 3. After Institutions; 4. Munchmuseet on the Move and the role of
the Contemporary in the Art Museum; 5. Collaborative Curating: Questioning
Value Production in the Art Museum through the Project 7 Walks; Part 2:
Politics of Curating the Contemporary-Modern in the Art Museum; 6.
NowHere: The Curatorial Contemporary; 7. The Rise and Fall of a Nordic Art
Institution; 8. Torpedoes and Trees: Staging the Modern Art Collection at
the Moderna galerija, Ljubljana; 9. The Politics of Contemporary Art
Museums. Calouste Gulbenkian's Modern Collection in Lisbon; 10. What's
Happening? Feminism, the Contemporary, and Curating in the Art Museum; 11.
Contemporaneity as a Curatorial Approach: Black Models in New York, Paris
and Guadeloupe; Part 3: Mapping Exhibition Histories of the Contemporary;
12. In the Ruins of the Present: Arte Contemporanea at the Galleria
Nazionale in Rome, 1944-45; 13. Documenta's Chronopolitics of the
Contemporary, or Un/Curating Nazi Continuities in Werner Haftmann's
Historiographic Practice; 14. Moving the Museum towards the Contemporary?
Art in Motion (1961) as testing ground for the "new museum" in three
versions; 15. MacLeod: Curating Contrasts: Retrieving Solidarity from the
Archives; 16. Escape Attempts or Institutional Transformations? On Moderna
Museet's Information Center Project (1970-73) and the Filialen Experiments
(1971-73); 17. "That's why we call it a model" - Restaging Exhibitions and
Participation: Palle Nielsen's The Model: A Model for a Qualitative Society
, 1968/2014
Curatorial Now: Performing the Museum; 1. Reform(ulat)ing Infrastructures -
Becoming Museum; 2. Dance, Performance and Social Media in the Postdigital
Museum; 3. After Institutions; 4. Munchmuseet on the Move and the role of
the Contemporary in the Art Museum; 5. Collaborative Curating: Questioning
Value Production in the Art Museum through the Project 7 Walks; Part 2:
Politics of Curating the Contemporary-Modern in the Art Museum; 6.
NowHere: The Curatorial Contemporary; 7. The Rise and Fall of a Nordic Art
Institution; 8. Torpedoes and Trees: Staging the Modern Art Collection at
the Moderna galerija, Ljubljana; 9. The Politics of Contemporary Art
Museums. Calouste Gulbenkian's Modern Collection in Lisbon; 10. What's
Happening? Feminism, the Contemporary, and Curating in the Art Museum; 11.
Contemporaneity as a Curatorial Approach: Black Models in New York, Paris
and Guadeloupe; Part 3: Mapping Exhibition Histories of the Contemporary;
12. In the Ruins of the Present: Arte Contemporanea at the Galleria
Nazionale in Rome, 1944-45; 13. Documenta's Chronopolitics of the
Contemporary, or Un/Curating Nazi Continuities in Werner Haftmann's
Historiographic Practice; 14. Moving the Museum towards the Contemporary?
Art in Motion (1961) as testing ground for the "new museum" in three
versions; 15. MacLeod: Curating Contrasts: Retrieving Solidarity from the
Archives; 16. Escape Attempts or Institutional Transformations? On Moderna
Museet's Information Center Project (1970-73) and the Filialen Experiments
(1971-73); 17. "That's why we call it a model" - Restaging Exhibitions and
Participation: Palle Nielsen's The Model: A Model for a Qualitative Society
, 1968/2014