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Learn how skilled editors can turn raw footage into polished art for film, television, or web. With practical project guidelines and advice on organizing digital and film cutting rooms, and much more.
Learn how skilled editors can turn raw footage into polished art for film, television, or web. With practical project guidelines and advice on organizing digital and film cutting rooms, and much more.
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Autorenporträt
Gael Chandler has edited comedies, dramas, documentaries, features, corporate videos, and promos, and cut on every type of medium: film, tape, and digital. Nominated twice for a Cable ACE award for editing a comedy series, she is a member of the Editors Peer Group of the Television Academy of Arts and Sciences and annually judges the Emmy and College TV awards. Her second book, Film Editing: Great Cuts Filmmakers and Movie Lovers Should Know, published in 2009, is filled with basic and complex editing concepts that make the invisible art of editing visible using 600 colorful frames from popular recent films. Her website is www.joyoffilmediting.com.
Inhaltsangabe
STAGE I SETTING UP AND ORGANIZING Part One Starting your Project Ch 1 Decisions, Decisions: Getting Started on the Right Path through Postproduction Appendix A Project Checklist Ch 2 Video, Digital, and Film Basics: Terms, Concepts, and Practices Part Two Organizing for Editing Ch 3 Setting up the Cutting Room: Workflows, Labeling Shots, and Other Cutting Room Common Tasks Appendix B DIY Postproduction Schedule Ch 4 Preparing Dailies Appendix C Stage One: Budget Form for Dailies STAGE II EDITING Part One How to Approach the Footage Ch 5 To Cut or not to Cut: Where to Cut and Why Ch 6 Everyday Editing Challenges Ch 7 From Animation to Reality: Editing Different Genres Part Two Getting from First Cut to Final Cut Ch 8 Making the Cuts: Editing on a Digital System Ch 9 The Process: Getting from First Cut to Locked Cut Appendix D Tape and Tapeless Show Continuity Form Appendix E Film Show Continuity Form Appendix F Stage Two: Budget Form for Editing STAGE III FINISHING Part One Sound, Music, and the Mix Ch 10 Designing Sound and Music Ch 11 Editing and Mixing Sound and Music Appendix G ADR Cue Sheet Appendix H Stage Three: Budget Form for Sound, Music, and the Mix Part Two Finishing and Delivering Ch 12 Finishing on Tape, File or the Web Ch 13 Finishing on Film and via DI Appendix I Stage Three: Budget Form for Finishing How to Find an Editing Job Resources Glossary Bibliography
STAGE I SETTING UP AND ORGANIZING Part One Starting your Project Ch 1 Decisions, Decisions: Getting Started on the Right Path through Postproduction Appendix A Project Checklist Ch 2 Video, Digital, and Film Basics: Terms, Concepts, and Practices Part Two Organizing for Editing Ch 3 Setting up the Cutting Room: Workflows, Labeling Shots, and Other Cutting Room Common Tasks Appendix B DIY Postproduction Schedule Ch 4 Preparing Dailies Appendix C Stage One: Budget Form for Dailies STAGE II EDITING Part One How to Approach the Footage Ch 5 To Cut or not to Cut: Where to Cut and Why Ch 6 Everyday Editing Challenges Ch 7 From Animation to Reality: Editing Different Genres Part Two Getting from First Cut to Final Cut Ch 8 Making the Cuts: Editing on a Digital System Ch 9 The Process: Getting from First Cut to Locked Cut Appendix D Tape and Tapeless Show Continuity Form Appendix E Film Show Continuity Form Appendix F Stage Two: Budget Form for Editing STAGE III FINISHING Part One Sound, Music, and the Mix Ch 10 Designing Sound and Music Ch 11 Editing and Mixing Sound and Music Appendix G ADR Cue Sheet Appendix H Stage Three: Budget Form for Sound, Music, and the Mix Part Two Finishing and Delivering Ch 12 Finishing on Tape, File or the Web Ch 13 Finishing on Film and via DI Appendix I Stage Three: Budget Form for Finishing How to Find an Editing Job Resources Glossary Bibliography
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