Yet all does not go as planned. The notorious Papal emissary, Father Rodrigo of Salamanca accuses him of blasphemy over his decision to choose a lowly peasant, Alessandro, to be his model for Jesus.
To Leonardo's horror, Alessandro takes on quasi-religious significance for the populace of Milan, dragging both into a journey of political and religious upheaval, violence and scandal, which eventually leads to their climactic confrontation.
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