Dada and Its Later Manifestations in the Geographic Margins (eBook, ePUB)
Israel, Romania, Poland, and North America
Redaktion: Milano, Ronit; Gonnen, Noam; Zommer-Tal, Raya
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Dada and Its Later Manifestations in the Geographic Margins (eBook, ePUB)
Israel, Romania, Poland, and North America
Redaktion: Milano, Ronit; Gonnen, Noam; Zommer-Tal, Raya
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This volume focuses on the unstudied geographic margins of Dada, delving into the roots of Dada in Israel, Romania, Poland, and North America.
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This volume focuses on the unstudied geographic margins of Dada, delving into the roots of Dada in Israel, Romania, Poland, and North America.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 224
- Erscheinungstermin: 14. Juni 2024
- Englisch
- ISBN-13: 9781040040768
- Artikelnr.: 70403297
- Verlag: Taylor & Francis
- Seitenzahl: 224
- Erscheinungstermin: 14. Juni 2024
- Englisch
- ISBN-13: 9781040040768
- Artikelnr.: 70403297
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Ronit Milano is a senior lecturer at the Department of the Arts, Ben-Gurion University of the Negev, Israel. Raya Zommer-Tal is the Director and Chief Curator of the Janco-Dada Museum, Ein Hod, Israel. Noam Gonnen is an associate lecturer at the Department of the Arts, Ben-Gurion University of the Negev, Israel.
Introduction Part I: Transcending Disciplinary Boundaries 1. Marcel Janco
Architect in Romania 2. The Delirious Specter of Dada: Baroness Elsa von
Freytag-Loringhoven and Her Costumes Using the Lenses of Collage,
Assemblage, and Montage 3. Through the Eyes of an Architect, the Soul of an
Artist: Marcel Janco and Ein Hod Artist Colony Part II: Reception in
Eastern Europe and the Middle East 4. Dada in Romania: How Romanian
Avant-Garde Magazines Celebrated Dada 5. Authenticity after Duchamp: On the
Reception of the Readymade Legacy in Israel in the 1970s Part III:
Disputing Matter and Materiality 6. Acoustic Ecologies: John Cage and
Robert Smithson After Hugo Ball's Unrestrained Nature 7. "Junk Impresario"
or The Creaking Jew Part IV: Language and Syntax 8. "Language Dissection"
as a Rhetoric of Healing: Yael Bartana and the Spirit of Dada 9. The
Alphabet of Forms: Initial Data for a Bottom-up Approach to Architectural
Morphogenesis Part V: The Center-Margins Trajectory 10. Interview with
Marcel Janco: The Years in Zurich 1914-1919 11. Marcel Janco, Dada and its
reverberation and avatars in the 20th century Epilogue: dada after Dada
Architect in Romania 2. The Delirious Specter of Dada: Baroness Elsa von
Freytag-Loringhoven and Her Costumes Using the Lenses of Collage,
Assemblage, and Montage 3. Through the Eyes of an Architect, the Soul of an
Artist: Marcel Janco and Ein Hod Artist Colony Part II: Reception in
Eastern Europe and the Middle East 4. Dada in Romania: How Romanian
Avant-Garde Magazines Celebrated Dada 5. Authenticity after Duchamp: On the
Reception of the Readymade Legacy in Israel in the 1970s Part III:
Disputing Matter and Materiality 6. Acoustic Ecologies: John Cage and
Robert Smithson After Hugo Ball's Unrestrained Nature 7. "Junk Impresario"
or The Creaking Jew Part IV: Language and Syntax 8. "Language Dissection"
as a Rhetoric of Healing: Yael Bartana and the Spirit of Dada 9. The
Alphabet of Forms: Initial Data for a Bottom-up Approach to Architectural
Morphogenesis Part V: The Center-Margins Trajectory 10. Interview with
Marcel Janco: The Years in Zurich 1914-1919 11. Marcel Janco, Dada and its
reverberation and avatars in the 20th century Epilogue: dada after Dada
Introduction Part I: Transcending Disciplinary Boundaries 1. Marcel Janco
Architect in Romania 2. The Delirious Specter of Dada: Baroness Elsa von
Freytag-Loringhoven and Her Costumes Using the Lenses of Collage,
Assemblage, and Montage 3. Through the Eyes of an Architect, the Soul of an
Artist: Marcel Janco and Ein Hod Artist Colony Part II: Reception in
Eastern Europe and the Middle East 4. Dada in Romania: How Romanian
Avant-Garde Magazines Celebrated Dada 5. Authenticity after Duchamp: On the
Reception of the Readymade Legacy in Israel in the 1970s Part III:
Disputing Matter and Materiality 6. Acoustic Ecologies: John Cage and
Robert Smithson After Hugo Ball's Unrestrained Nature 7. "Junk Impresario"
or The Creaking Jew Part IV: Language and Syntax 8. "Language Dissection"
as a Rhetoric of Healing: Yael Bartana and the Spirit of Dada 9. The
Alphabet of Forms: Initial Data for a Bottom-up Approach to Architectural
Morphogenesis Part V: The Center-Margins Trajectory 10. Interview with
Marcel Janco: The Years in Zurich 1914-1919 11. Marcel Janco, Dada and its
reverberation and avatars in the 20th century Epilogue: dada after Dada
Architect in Romania 2. The Delirious Specter of Dada: Baroness Elsa von
Freytag-Loringhoven and Her Costumes Using the Lenses of Collage,
Assemblage, and Montage 3. Through the Eyes of an Architect, the Soul of an
Artist: Marcel Janco and Ein Hod Artist Colony Part II: Reception in
Eastern Europe and the Middle East 4. Dada in Romania: How Romanian
Avant-Garde Magazines Celebrated Dada 5. Authenticity after Duchamp: On the
Reception of the Readymade Legacy in Israel in the 1970s Part III:
Disputing Matter and Materiality 6. Acoustic Ecologies: John Cage and
Robert Smithson After Hugo Ball's Unrestrained Nature 7. "Junk Impresario"
or The Creaking Jew Part IV: Language and Syntax 8. "Language Dissection"
as a Rhetoric of Healing: Yael Bartana and the Spirit of Dada 9. The
Alphabet of Forms: Initial Data for a Bottom-up Approach to Architectural
Morphogenesis Part V: The Center-Margins Trajectory 10. Interview with
Marcel Janco: The Years in Zurich 1914-1919 11. Marcel Janco, Dada and its
reverberation and avatars in the 20th century Epilogue: dada after Dada