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Dance is more than an aesthetic of life - dance embodies life. This is evident from the social history of jive, the marketing of trans-national ballet, ritual healing dances in Italy or folk dances performed for tourists in Mexico, Panama and Canada. Dance often captures those essential dimensions of social life that cannot be easily put into words. What are the flows and movements of dance carried by migrants and tourists? How is dance used to shape nationalist ideology? What are the connections between dance and ethnicity, gender, health, globalization and nationalism, capitalism and…mehr
Dance is more than an aesthetic of life - dance embodies life. This is evident from the social history of jive, the marketing of trans-national ballet, ritual healing dances in Italy or folk dances performed for tourists in Mexico, Panama and Canada. Dance often captures those essential dimensions of social life that cannot be easily put into words. What are the flows and movements of dance carried by migrants and tourists? How is dance used to shape nationalist ideology? What are the connections between dance and ethnicity, gender, health, globalization and nationalism, capitalism and post-colonialism? Through innovative and wide-ranging case studies, the contributors explore the central role dance plays in culture as leisure commodity, cultural heritage, cultural aesthetic or cathartic social movement.
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Autorenporträt
Jonathan Skinner is Senior Lecturer in Social Anthropology at the University of Roehampton. He is the author of Before the Volcano: Reverberations of Identity on Montserrat (Arawak Publications 2004) and co-editor of Great Expectations: Imagination and Anticipation in Tourism (Berghahn Books 2011).
Inhaltsangabe
Introduction: The Movement of Dancing Cultures Hélène Neveu Kringelbach and Jonathan Skinner Part I: Dance and globalisation Chapter 1. Globalization and the Dance Import/Export Business: The Jive Story Jonathan Skinner Chapter 2. Ballet culture and the market: a transnational perspective Helena Wulff Chapter 3. "We've got this rhythm in our blood": dancing identities in Southern Italy Karen Lüdtke Part II: Tourism, Social Transformation and the Dance Chapter 4. Performance in tourism: transforming the gaze and tourist encounter at Híwus Feasthouse Linda Scarangella-McNenly Chapter 5. Movement on the move: performance and dance tourism Felicia Hughes-Freeland Chapter 6. Dance, visibility and representational self-awareness in an Embera community in Panama Dimitrios Theodossopoulos Part III: Dance, identity and the nation Chapter 7. Moving shadows of Casamance: dance and regionalism in Senegal Hélène Neveu Kringelbach Chapter 8. Ballet Folklórico Mexicano: choreographing a national identity in a transnational context Olga Nájera-Ramírez Chapter 9. Dance, youth and changing gender identities in Korea Séverine Carrausse Chapter 10. Preparation, presentation and power: children's performances in a Balinese dance studio Jonathan McIntosh Epilogue: Making culture Caroline Potter
Introduction: The Movement of Dancing Cultures Hélène Neveu Kringelbach and Jonathan Skinner Part I: Dance and globalisation Chapter 1. Globalization and the Dance Import/Export Business: The Jive Story Jonathan Skinner Chapter 2. Ballet culture and the market: a transnational perspective Helena Wulff Chapter 3. "We've got this rhythm in our blood": dancing identities in Southern Italy Karen Lüdtke Part II: Tourism, Social Transformation and the Dance Chapter 4. Performance in tourism: transforming the gaze and tourist encounter at Híwus Feasthouse Linda Scarangella-McNenly Chapter 5. Movement on the move: performance and dance tourism Felicia Hughes-Freeland Chapter 6. Dance, visibility and representational self-awareness in an Embera community in Panama Dimitrios Theodossopoulos Part III: Dance, identity and the nation Chapter 7. Moving shadows of Casamance: dance and regionalism in Senegal Hélène Neveu Kringelbach Chapter 8. Ballet Folklórico Mexicano: choreographing a national identity in a transnational context Olga Nájera-Ramírez Chapter 9. Dance, youth and changing gender identities in Korea Séverine Carrausse Chapter 10. Preparation, presentation and power: children's performances in a Balinese dance studio Jonathan McIntosh Epilogue: Making culture Caroline Potter
Notes on Contributors Bibliography Index
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