Heather Hundley, Roberta Chevrette, Hillary A. Jones

Dangerous Dames (eBook, PDF)

Representing Female-Bodied Empowerment in Postfeminist Media

• Format: PDF

Produktbeschreibung

This book illuminates the rhetorical work performed by contemporary representations of a specific type of postfeminist hero who has garnered a lot of cultural capital: women who are smart, capable, physically agile and fit, and proficient with weaponry and technology. Employing critical/cultural and feminist approaches, Heather Hundley, Roberta Chevrette, and Hillary Jones engage with a range of theories including intersectionality, critical race theory, postmodernism, and posthumanism to examine a range of contemporary texts, including Kill Bill, Volumes I and II; The Hunger Games films; Wonder Woman; Atomic Blonde; Proud Mary; The Bionic Woman; Deus Ex; Dark Matter; and Caprica. Contributing to a robust existing conversation about postfeminist media as well as tracing how representation has changed in recent years, Hundley, Chevrette, and Jones contend that portrayals of dangerous dames offer limitations and opportunities for audiences. Specifically, should audiences read these characters as evidence of a postfeminist apocalypse, they may heed warnings of the limited interpretations offered. Yet as more women serve as role models and gain public attention, particularly regarding their assets and abilities, they provide important equipment for living for navigating around patriarchal constraints raised by postfeminism, neoliberalism, and humanism.

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Produktdetails

• Verlag: Peter Lang Inc., International Academic Publishers
• Seitenzahl: 188
• Erscheinungstermin: 28. April 2020
• Englisch
• ISBN-13: 9781433163036
• Artikelnr.: 65840920

Autorenporträt

Heather L. Hundley (PhD, University of Utah) is Professor and Chair in the Department of Communication Studies at Middle Tennessee State University. She received the College Outstanding Research Award from her former institution. She has co-authored two books, coedited two books, and published in journals including New Media & Society, Communication Quarterly, and Communication Reports.

Roberta Chevrette (PhD, Arizona State University) is Assistant Professor in the Department of Communication Studies at Middle Tennessee State University. She has published in journals such as Communication and Critical/Cultural Studies, Communication Theory, Feminist Formations, and Frontiers: A Journal of Women's Studies.

Hillary A. Jones (PhD, The Pennsylvania State University) is Associate Professor in the Department of Communication at California State University, Fresno. She has co-edited a book and has published in journals including Critical Studies in Media Communication, Southern Communication Journal, Rhetoric Society Quarterly, and Communication, Culture, and Critique.

Inhaltsangabe

Acknowledgements - Introduction: Paradoxes of Gendered Power Relations and Representations - Superficial Postfeminist and Postmodern Portrayals: Hegemonic and Hypermasculine Ideologies in Kill Bill, Volumes 1 & 2 - Appropriating Feminism: The Naturalization of Patriarchal Power Structures in The Hunger Games - Ass-Kicking Women and the Fight for Justice: Constructing a (White) Feminine/ist Icon in Wonder Woman - Visualizing Violent Femininity: Race, Sex and Femmes Fatales in Atomic Blonde and Proud Mary - Hybridizing and Networking Beyond Boundaries: Cyborgs and Cognispheres in the Bionic Woman and Dark Matter - Transcending Boundaries: Posthumanism and Transhumanism in Caprica and Deus Ex - Conclusion: Envisioning Feminist Futures - Index.

Rezensionen

"Dangerous Dames skillfully coordinates critical encounters with contemporary media texts. Through sustained analysis of texts like Hunger Games, Wonder Woman, Proud Mary, Caprica, and Deus Ex, Hundley, Chevrette, and Jones astutely demonstrate the cultural and political stakes of representing powerful, female-bodied characters. Across their case studies, they investigate the politics of aesthetics, arguing that particular aesthetics shape (but do not determine) political efficacies and asserting a tempered but hopeful relationship between media representations and structural change. Throughout, the authors imply the question-What does feminism want?-to which they respond: To be understood as plural, variegated, contestatory, and dynamic. Compellingly, they mark their own analytic starting point as intersectional, and they model, for beginners and experts alike, how to select and employ specific conceptual resources like performativity, necropolitics, and posthumanism to best unpack and illuminate the case under investigation. Media fans themselves, Hundley, Chevrette, and Jones invite us to struggle with our fandom and to be accountable for the joy or pleasure we take from media consumption as they demonstrate how recent pop culture texts are riddled with cultural and political ambivalence. Dangerous Dames helps us to find the words to explain our complicated relationships with media texts that feel-that are, we hope-feminist and progressive."-Daniel C. Brouwer (Arizona State University)