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Two weeks before her grandfather purchased a gun, Ashley Farmer's grandmother tripped as she walked across their living room. It was a swift accident on an ordinary day: her chin hit the floor; her cervical spine shattered. She asked, "I'm paralyzed, aren't I?" Later, thinking to put her out of her misery, he kissed his sleeping wife of sixty-three years and shot her in the chest. He tried to shoot himself too, but the weapon broke apart in his hands. He was immediately arrested. This is the scene we are greeted with at the outset of Farmer's stunning collection of hybrid essays. One of its…mehr
Two weeks before her grandfather purchased a gun, Ashley Farmer's grandmother tripped as she walked across their living room. It was a swift accident on an ordinary day: her chin hit the floor; her cervical spine shattered. She asked, "I'm paralyzed, aren't I?" Later, thinking to put her out of her misery, he kissed his sleeping wife of sixty-three years and shot her in the chest. He tried to shoot himself too, but the weapon broke apart in his hands. He was immediately arrested. This is the scene we are greeted with at the outset of Farmer's stunning collection of hybrid essays. One of its greatest features is the variety of voices, a kaleidoscopic approach that corals in autobiography, audio transcripts, media, legal documents, Internet comments, short prose pieces, and more. The result is a moving, deeply satisfying, eye-opening story that will surely find many readers.
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Ashley Farmer is the author of a chapbook and three books, most recently the poetry collection The Women (Civil Coping Mechanisms, 2016). Her essays, poems, and stories can be found in places like Gay Magazine, TriQuarterly, The Progressive, Flaunt, Nerve, Gigantic, Buzzfeed, DIAGRAM, and elsewhere. Ashley has received a 2019 Best American Essays Notable Essay distinction, Ninth Letter's 2018 Literary Award in Creative Nonfiction, the Los Angeles Review's 2017 Short Fiction Award, and fellowships from Syracuse University and the Baltic Writing Residency.
Inhaltsangabe
CONTENTS ONE Mercy 7 Jobs Peak, 1985 14 Audio Transcript (Recorded January 2, 2014) 16 Aftermath 19 Lucy, 1975 28 Internet Comments, 2014-2015 29 Transcript: Celebrities 32 Contradiction, 2014 36 TWO American Dream Job 38 Nevada / St. Tropez, 1987 48 Slow Circles 49 Graceland, 1994 60 When the Gun Comes 62 Transcript: Hitchhikers 68 Animal Hours 72 Transcript: Shipyard 81 THREE Body Composition 84 Transcript: Vinyl 94 Minivan, 1994 95 Transcript: Beaches 96 Bill, 1925-2016 98 Seeing the Dead Alive 99 Transcript: Games 108 FOUR Transcript: Matrimony 111 The Book I Would’ve Written With No Trouble In It 118 Piano Hour, 1995 116 End of the Line 117 Green Girls 126 Transcript: Riptides 128 If 130 FIVE Second Person 133 Titles of Essays I Didn’t Write 142 Things You Don’t Have to Be Taught, 1982 143 Transcript: Hazards 144 No One is Waiting 146 APPENDIX Letter to the Public Defender 153 Motion to Dismiss 155 Acknowledgements 172 Publication Credits 173 Biographical Note 174
CONTENTS ONE Mercy 7 Jobs Peak, 1985 14 Audio Transcript (Recorded January 2, 2014) 16 Aftermath 19 Lucy, 1975 28 Internet Comments, 2014-2015 29 Transcript: Celebrities 32 Contradiction, 2014 36 TWO American Dream Job 38 Nevada / St. Tropez, 1987 48 Slow Circles 49 Graceland, 1994 60 When the Gun Comes 62 Transcript: Hitchhikers 68 Animal Hours 72 Transcript: Shipyard 81 THREE Body Composition 84 Transcript: Vinyl 94 Minivan, 1994 95 Transcript: Beaches 96 Bill, 1925-2016 98 Seeing the Dead Alive 99 Transcript: Games 108 FOUR Transcript: Matrimony 111 The Book I Would’ve Written With No Trouble In It 118 Piano Hour, 1995 116 End of the Line 117 Green Girls 126 Transcript: Riptides 128 If 130 FIVE Second Person 133 Titles of Essays I Didn’t Write 142 Things You Don’t Have to Be Taught, 1982 143 Transcript: Hazards 144 No One is Waiting 146 APPENDIX Letter to the Public Defender 153 Motion to Dismiss 155 Acknowledgements 172 Publication Credits 173 Biographical Note 174
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