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One of Stylist 's Best Memoirs for Summer 2021
'Unlike anything I've read . . . Remarkable.' Roxane Gay
'A thing of great beauty.' Paris Review
In letters addressed to their friends, to members of their family - both biological and chosen - and to fellow storytellers, Akwaeke describes the shape of a life lived in overlapping realities. Through heartbreak, chronic pain, intimacy with death, becoming a beast, this is embodiment as a nonhuman: outside the boundaries imposed by expectations and legibility. This book is an account of the grueling work of realignment and remaking…mehr

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Produktbeschreibung
One of Stylist's Best Memoirs for Summer 2021

'Unlike anything I've read . . . Remarkable.' Roxane Gay

'A thing of great beauty.' Paris Review

In letters addressed to their friends, to members of their family - both biological and chosen - and to fellow storytellers, Akwaeke describes the shape of a life lived in overlapping realities. Through heartbreak, chronic pain, intimacy with death, becoming a beast, this is embodiment as a nonhuman: outside the boundaries imposed by expectations and legibility. This book is an account of the grueling work of realignment and remaking necessary to carve out a future for oneself.

The result is a Black spirit memoir: a powerful, raw unfolding of identity.

'An audacious sojourn through the terror and beauty of refusing to explain yourself. ' New York Times


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Autorenporträt
Akwaeke Emezi (they/them) is the author of the memoir Dear Senthuran; New York Times bestseller The Death of Vivek Oji, which was longlisted for the Dylan Thomas Prize; Pet, a finalist for the National Book Award for Young People's Literature; and Freshwater, which was named a New York Times Notable Book, longlisted for both the Wellcome Book Prize and the Women's Prize for Fiction and shortlisted for the PEN/Hemingway Award, the New York Public Library Young Lions Fiction Award, the Lambda Literary Award, and the Center for Fiction's First Novel Prize. Selected as a 5 Under 35 honoree by the National Book Foundation, they are based in liminal spaces.