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A collection of letters that might have been written by Mozart's mother (to her daughter), one of Milton's daughters (to the others), Rubens' model (to an aspiring successor), Plato's (female) (disguised) students (to each other), and others-assuming a feminist consciousness. What would they say?
A fictional approach to women's history
"You are clearly a writer of considerable talent, and your special ability to give expression to so many different characters, each in a uniquely appropriate style, makes your work fascinating and attractive ... . The pieces are often funny, sometimes
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Produktbeschreibung
A collection of letters that might have been written by Mozart's mother (to her daughter), one of Milton's daughters (to the others), Rubens' model (to an aspiring successor), Plato's (female) (disguised) students (to each other), and others-assuming a feminist consciousness. What would they say?

A fictional approach to women's history

"You are clearly a writer of considerable talent, and your special ability to give expression to so many different characters, each in a uniquely appropriate style, makes your work fascinating and attractive ... . The pieces are often funny, sometimes sensitive, always creative. But they contain an enormous load of anger, and that is where I have problems ... . I know at least one feminist who would read your manuscript with delight (unfortunately she is not a publisher), who would roar with laughter in her sharing of your anger ... " rejection letter from a small Canadian press


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Autorenporträt
chris wind is the author of This is what happens, dreaming of kaleidoscopes, and Satellites Out of Orbit. Her prose and poetry has appeared in numerous journals and magazines, including The Antigonish Review, Ariel, Atlantis, Bogg, Canadian Author and Bookman, Canadian Woman Studies, Contemporary Verse 2, The Copperfield Review, event, Existere, (f.)Lip, grain, Herizons, Herstoria, The Humanist, The New Quarterly, Other Voices, Poetry Toronto, Prism International, Rampike, Shard, The University of Toronto Review, The Wascana Review, Waves, Whetstone, White Wall Review, and Women's Education des femmes, as well as several anthologies, including Contemporary Monologues for Young Women, Clever Cats, Visions of Poesy, and Going for Coffee. Her theatrical work has been performed by several companies, including Venus Theatre and Shoestring Radio Theatre, and read on CBC Radio. She has been awarded sixteen Ontario Arts Council grants. chriswind.net